Here’s a few of my favorite shots from Illuminated Modern, during Palm Springs Modernism Week 2015.
Now in it’s fourth year, Illuminated Modern focuses on significant modernist buildings in Palm Springs. It happens every night of Modernism Week, from February 12 -22. It’s a free self guided tour that simply requires you to get in your car and drive along Palm Canyon Drive between sundown and midnight. Therefore, no reservations are required, that is, unless you need to borrow a car or bicycle from someone.
I have no idea who came up with this brilliant idea, but it certainly adds another level of excitement to the full array of events happening during modernism’s 10 day extravaganza. Even though it feels a bit like Vegas, I really like it and almost wish they’d keep it lit like this year round. It would force both the tourists and locals to take note of the significant structures in town. However, that’s highly impractical. See that beautiful gas station by William F. Cody? I had to scramble through the sage brush to reach that vantage point while using the flashlight on my iphone. I don’t think of February as rattlesnake season… but who wants to take chances. That said, once I snapped my photo, it made me think of Ed Ruscha’s famous Standard Station screen print. I absolutely love how the paper thin roof nearly floats over the gas pumps, and I’d never noticed it while driving past it on the 111.
Here’s a quick run down on the architects of these buildings.
Palm Springs Visitor Center, 2901 N. Palm Canyon Dr. Albert Frey & Robson Chambers, 1963. (Photos 1, 6 & 7)
Coachella Valley Savings & Loan, 383 S. Palm Canyon Drive, E. Stewart Williams, 1956.
Towne Palm Springs, Originally The Harold Hicks – Desert Water Building, 1345 N. Palm Canyon Drive, E. Stewart Williams, 1955/1960
Kaplan Medical Building, 1492 N. Palm Canyon Drive, Bill Krisel
This lux mid century remodel at 930 S. Paseo Dorotea has been a labor of love for over a decade. And if you’re a friend or client, then you know that this is also my personal weekend retreat away from Los Angeles, and my artist studio.
After selling my condo in L A, I was looking for a new place to call home. Demuth Park in South Palm Springs became my new home away from home. I won’t lie to you, I’ve invested so much more money into this home than I ever imagined, but when you’re fresh out of design school at UCLA and obsessed with detail, you simply have no other choice.
I started by removing every piece of landscaping except for the palm tree in the front yard. The fruit trees in the back yard were replaced with drought resistant Palo Verde trees. The front lawn was replaced with Ocotillos and Barrel Cactus. And that traditional sidewalk up to the front door was replaced with 36 x 36 concrete pavers placed on the diagonal from the driveway… who needs pesky salesmen walking right up to your front door so easily, right? The dilapidated wooden gates and walls were replaced with corrugated metal, or cinderblock, to better withstand the summer heat. And when I replaced the rickety pergola on the north side of the home, I expanded it to wrap down onto the cinderblock wall, creating an additional private patio for outdoor dining or reading. I added a 12 x 12 concrete slab in the back yard for a gazebo, just steps away from the out door shower that I also added. Nothing better than jumping out of the pool from swimming laps, then rinsing off outdoors, clothing optional of course.
When it came to redoing the interior, my sledgehammer and I had so much fun. I opened up the wall leading into the kitchen, and while doing so, discovered that a dropped ceiling had been added in the 70’s to modernize the kitchen. In one afternoon I was able to completely pull it down, exposing the original ceiling, still intact. I removed the hallway closet behind the kitchen, and closed up the odd pass through to the bedroom. Voila, I doubled the size of the kitchen in one afternoon!
The guest bedroom had been equally chopped up, so I reconfigured it by removing a tiny closet and adding a new back door for patio access in it’s place. The old back door was walled off, and became the outdoor shower. The little tool room became the new walk-in closet complete with a washer and dryer.
The master suite bathroom had a very dated and non-functioning jacuzzi tub, remember those? I replaced it with a large walk-in shower made from tumbled travertine and chocolate frosted glass tiles... the contractor hated working with those materials, but it turned out stunningly well.
Some of the other boring, but expensive items I replace included: a new roof, new ac unit and duct work, energy efficient double-pane windows, and 18 x 18 tiles through out the home to unify the flow from room to room.
More recently I installed ceiling fans and low voltage halogen lighting. The later was a must since I opened my home to the public for Modernism Week 2014 , showcasing all of my original oil paintings that you see in the photos above. I even created that butterfly wall mural as part of a youtube video to promote the event at my home.
All good things must come to an end, so this home will be put on the market shortly. It’s time for me to move onto to another project… maybe an Art Deco inspired pied-a-terre in the city?
I’m including a few images below to show you some of the before and afters… after all, isn’t that always the best issue of Architectural Digest! Oh, and in case you’re wondering about the rock wall in front of the house painted high gloss white… I faux painted it to look like natural rock again.
I LOVE this Mayan Art Deco Building in San Francisco. I’m sure the locals already know plenty about it, but I had no clue it even existed until I was quite literally driving by it. The facade was unlike anything I’d ever seen and I immediately started looking for a parking space. Three blocks later I got lucky. I walked back to the building and started snapping photos. The doorman looked me over and said Wanna go inside? YES! He hit the button and the doors opened… I was awestruck. I felt like I’d just entered Oz! It was Christmas Day and I think the doorman was a bit bored since the commercial space, catering primarily to medical and dental suites, were closed. He was more than happy to share historical information with me and let me take as many photos as I wanted.
Built in 1929 by renowned Architect Timothy Ludwig Plueger, the 26-story building was recently cited as the most original of San Francisco’s pre-war high-rises and one of the city’s best buildings. The lobby features rare Napoleon Grande Melange marble walls, not to mention an elaborate bronze-finished Mayan ceiling with exotic bas-relief carvings. Some of the finish work also looks to be silver and gold leafed, however, I can’t find anything online to support my observations. A three year restoration was completed in 2009 and the building was also added to the National Register of Historical Places.
Mayan Revival Architecture includes Frank Lloyd Wright’sHollyhock House, Ennis House and the Millard House in Los Angeles. Wright’s son Lloyd Wright created the Sowden House in the Los Feliz district of Hollywood. Additionally there’s the Aztec Motel in Monrovia California (next on my list to visit) by Architect Robert Stacy-Judd.
This style of architecture is so rare that the average person has never heard of it. Yet when you do see it, you have no doubt you’re seeing something remarkable and quite out of the ordinary. The tribal aspect of these pre-Columbian designs seems to resonate with people on such a deep level that it’s hard to ignore. You feel in your gut that you recognize even if it’s your fist time seeing it. I for one am so thrilled that I had the opportunity to visit 450 Sutter Street just off Union Square. I hope you’ll add it to your list the next time you’re visiting San Francisco.
180 – 190 O’Farrell Street in San Francisco seems to defy an architectural category. I fell in love with the building while walking down the street and couldn’t wait to get home to research it and learn more about it. After 2 hours of research, the only firm thing I can tell you is that it was built in 1919, period. I can’t find the architect, and it doesn’t seem to come up on any of the architectural/historical web sites. The only other thing I can find out about it is that it’s a St. Moritz Hotel… one that isn’t well reviewed online. The kind of a place you might stay between homes, one that may or may not have bed bugs. You can tell by looking at the window draperies that it’s not a short term sort of residence… it looks very lived in.
Anyway. The reason that I loved this building is because of the motifs in the angled/slanted bay windows. Additionally, the vegetal pattern at the top of the bay window, just under the cornice, screams Art Nouveau. However, that period technically ended in 1910, before the outbreak of World War I. The types of buildings in San Francisco with angled bay windows and oversized cornices are usually referred to as Slanted Bay Italianates, a period that ended in the 1870’s. Another period that comes to mind is the Viennese Secessionist, again, a period that pretty much fizzled by 1915. Who knows, maybe our architect was German and brought decorative nuances from his home land to San Francisco.
So, what’s an architectural geek like myself to do? I’ve gone down the rabbit hole of research and have come up empty handed. I will say that the paint job on the building is superb. It beautifully emphasizes the decorative details of the cornice and angled bay windows. If by some chance someone finds this Design Diary entry and has an answer, please please email me!
The South Rose Window of Notre Dame is a Jewel in the Crown of one the most well known Gothic Masterpieces in the world.
Constructed in 1260, yes it’s nearly 800 years old, the South Rose Window was a gift from King Saint Louis. Designed by Jean de Chelles and Pierre de Montreull, it’s the central element that thrones over the transept facade, and is the counterpoint to the North Rose Window. Who knew there was a second Rose Window, right? There’s actually 3 rose windows, but because the sun moves in the southern sky, it’s the South Rose Window that’s lit up by the sun during the day, thus casting it’s remarkable glow into the transept of Notre Dame. As you may or may not know, a gothic church, when viewed from above, is shaped like a cross. The long part is known as the nave, and the shorter part that crosses over it, is the transept.
Over 42 feet across (12.9 meters) this Rosette, as it’s sometimes called, is dedicated to the New Testament. Below it are the sixteen prophets representing the heavenly court. The four great prophets: Isaiah, Jeremiah, Ezekiel and Daniel, carrying the four evangelists: Matthew, Mark, Luke and John. The South Rose Window symbolises Christ’s triumphance, reigning over heaven, surrounded by all of his witnesses on earth. The three rosettes of Notre Dame are considered to be one of the greatest masterpieces of Christianity.
So, what if you’re not a religious kinda guy or gal? It doesn’t matter. If you’re fortunate enough to ever visit this awe inspiring cathedral, I guarantee you’ll be moved. On one of my visits to Paris, I spent 8 days there during a very cold February. My hotel was just two blocks away, so I decided to start every morning with a little ‘quiet time’ or meditation at the Cathedral before beginning my daily adventures. It touched my soul in a way that I couldn’t possibly imagine. The soaring ceilings and the vastness of the space, combined with nearly 800 years of history, candles being lit in prayer, mass spoken in French… it was humbling to say the least. I feel honored to have touched a part of living history, and I make sure to return there with every visit to Paris. For the life of me I can’t understand the tourist who circle around the nave in a matter of minutes, taking photos and selfies, and then head back outside. The space needs to be felt and experienced. It’s not just a photo op to add to your instagram or facebook profile. It can truly be a life altering experience if you’ll give yourself the time and the opportunity.