Category Archives: Architecture

Egyptian Revival at 2700 Glendower Avenue

Egyptian Revival at 2700 Glendower, Photo Romi Cortier
Egyptian Revival at 2700 Glendower, Photo Romi Cortier
Terrace at 2700 Glendower, Image courtesy Redfin
Terrace at 2700 Glendower, Image courtesy Redfin 2014
2700 Glendower, Dining Terrace off kitchen, Image courtesy Redfin 2014
Dining Terrace off kitchen at 2700 Glendower, Image courtesy Redfin 2014
Living Room, Top Floor at 2700 Glendower, Image courtesy MLS 2010
Living Room, Top Floor at 2700 Glendower, Image courtesy MLS 2010
Dining Room at 2700 Glendower, Image courtesy MLS 2010
Dining Room at 2700 Glendower, Image courtesy MLS 2010
Fireplace at 2700 Glendower, Image courtesy MLS 2010
Fireplace at 2700 Glendower, Image courtesy MLS 2010
Kitchen at 2700 Glendower, Image courtesy MLS 2010
Kitchen at 2700 Glendower, Image courtesy MLS 2010
Guest unit & back patio at 2700 Glendower, Photo courtesy MLS 2010
Guest unit & back patio at 2700 Glendower, Photo courtesy MLS 2010

This Egyptian Revival Residence at 2700 Glendower Avenue in Los Feliz is my former residence.  Granted, I lived in the mother-in-law apartment behind the house, but it made my first few years in LA pretty special.  My view was of the golf course on the north side of the hill, with the ability to hear concerts at the Greek Theater… like Ms. Tina Turner.

Michele, who owned the house, was one of LA’s few female stunt car/precision drivers. Remember those Mercedes Benz commercials with Cybil Shepard in the 90’s? That was Michele’s handy work. I was living in an 8 week sublet when I met Michele at the salon and heard about her ‘room for rent’.  I couldn’t move in fast enough. She also had 3 beautiful dogs that roamed the gated compound, so there was never any need to lock the doors. I’m going to do my best to dig up some photos from my archives of my time there. In the meantime,  I’m using  current and past MLS photos for this post, plus the ones I took from the street recently.

When I was taking photos at the Egyptian Theater this week, the trapezoid shapes triggered my memory of Michele’s home. So I decided it was time for a drive by to see how the house was looking. I was surprised to see that the home was for sale, and even more stunned to read it described as a Contemporary Brick & Glass Masterpiece. That’s not how I remembered it, so I looked it up on the MLS when I got home. Usually I’m all for renovating and updating, however, in this case, I think it was a huge mistake. Some homes are meant to have old world charm, and this is one of those homes. Michele had spent years working with a British Blue Blood Designer making the home into a rustic southwestern styled retreat. I realize that by now, that look was probably dated as well. However, the new images I’ve posted below from the current MLS listing show a remarkable change. The white kitchen looks like it belongs in a cape cod styled home. And the 60’s mod/hollywood regency great room looks ridiculous. It appears the fireplace as been removed, which makes me wonder about structural support. I was living in this home during the NorthRidge earthquake, and we came through it fairly unscathed. In fact, we had a large feast at the dinner table that night with about half a dozen of us, celebrating our good fortune.

My favorite room in this entire residence was the upstairs living room with the panoramic views. Sadly, the recessed soffits that echoed the exterior shape of the curved stucco trim, are completely gone. The room had previously been styled with vintage and rustic furniture that included an oval shaped wrought iron coffee table, previously used for a child’s casket. I know, sounds grim, but it was pretty damn cool. Her downstairs office was also lined with cowhide, there were rough hewn wide planks floors through out the home,  with an overall casual elegance to it.

The home was built in 1924, and was completed about 6 months before Frank Lloyd Wright’s  Ennis Brown Home down the street. I can only imagine what the ridge must have looked like in the 20’s & 30’s with only those Egyptian and Mayan structures. Michele had told me that the home was built by a Saudi Prince for his Mistress, however, research shows that it was built by contractor Arthur Holiday as his personal residence, and is sometimes referred to at the Arthur Holiday Residence… I think I like Michele’s story better.  Also Michele had mentioned that she could have bought the lot across the street for about $15,000 in the early 70’s to ensure her view. She thought why bother, who could possibly build in the middle of that ravine. But this is LA, she should have known better. Once the home across the street was finally built, it took years to sell… lets chalk it up to bad feng shui.

The home was listed on 5/15/2012 by Carol Dotson at 310.927.4107, and was recently reduced by $200,000  to $2,395,000. I guess I’m not the only one who isn’t in love with the cape-cod/mid-century makeover. Hopefully it’ll sell to  someone who has the  vision to restore some of what’s been lost… this is after all, one of LA’s only Egyptian Revival homes.

Upstairs Living Room at 2700 Glendower,  Photo Courtesy MLS 2014
Upstairs Living Room at 2700 Glendower, Photo Courtesy MLS 2014
Great Room at 2700 Glendower, Photo courtesy MLS 2014
Great Room at 2700 Glendower, Photo courtesy MLS 2014
Kitchen at 2700 Glendower, Photo courtesy MLS 2014
Kitchen at 2700 Glendower, Photo courtesy MLS 2014

Courtyard Murals of Hollywood’s Egyptian Theater

Egyptian Theaters Ticket Office, Hollywood, Photo Romi Cortier
Egyptian Theaters Ticket Office, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Mural at Hollywood's Egyptian Theater, Photo Romi Cortier
Egyptian Theater Mural, Hollywood,  Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural with Pharaohonic head detail, Hollywood, Photo Romi Cortier

Have you ever seen the Courtyard Murals of Hollywood’s Egyptian Theater? They’re pretty amazing and worth a visit.

Grauman’s Egyptian Theater (yes the same guy who built Hollywood’s Chinese Theater) opened in 1922   just 2 weeks before the discovery of King Tut’s Tomb.  The original theater plans called for a Spanish Decor,  with an Oriental influence, which proved to costly to build. So the developer turned to something less expensive that also capitalized on the euphoria surrounding the multiple expeditions searching for Tut’s Tomb.

As many of you know, Egyptophilia is a term used to describe the obsession or fascination with all things Egyptian. Structures built in the Egyptian style are referred to as Egyptian Revival. However, because of the association with Art Deco, many Egyptian structures are also referred to as Art Deco.  The ziggurat, or terraced steps of the pyramidal structure, also influenced skyscraper designs in the 1920’s. The stair step feature allowed for less canyonization of the streets below, by allowing more light onto the street. That concept has all but disappeared in high rise construction today, however, that design element is also referred to as an Art Deco defining feature.

Other design features that I’d like to point out in the images above, include the zig-zag patterns on the wall mounted light fixtures, as well as the trapezoid shape of the ticket office windows,  waterfall and wooden door. Zig zag patterning is a hallmark of art deco, and is often referred to as zig-zag moderne and can be seen on several building facades on Hollywood boulevard.  It exemplified the exuberance of the jazz-age 20’s prior to the stock market crash of ’29. After that, art deco styles shifted to streamline moderne, with low slung horizontal lines… sometimes referred to as depression era deco.

During the 80’s and 90’s Hollywood was suffering an economic decline.  The theater fell into disrepair and was given to the American Cinematheque in 1996 for $1, yes one dollar, with the provision that the landmark building be restored  to its original grandeur and re-open as a movie theater. The theater reopened on December 4, 1998 after a $12.8 million renovation. One of the benefits of that restoration, was the completion of the large scale mural (2nd from the bottom), that had never been completed. All of these murals are inspired by actual Egyptian gods, pharaohs and hieroglyphs. They’re not simply made up for the sake of entertainment.

During my recent visit to the Egyptian Theater to take these photos, I was saddened at how few tourists actually noticed the building or stopped for photos. Hollywood boulevard was crammed with hot sweaty people checking out the trashy stores and the stars embedded in the sidewalk, but the Egyptians courtyard was empty.  Therefore, I feel like there’s a missed opportunity with this wide open courtyard, that is sadly starting to look very shoddy. (I will admit I did a little photoshopping to clean up my images for this post). What about a relaxing garden cafe or seating area attached to the Pig & Whistle next door? Or the restoration of the water fountain with a some public seating areas and a  few tall Palm Trees as one vintage post card shows?  So much could still be done to capitalize on the history of this grand movie theater that predates the Chinese Theater just down the street, and bring in more tourism. Maybe that’s not the objective of the American Cinematheque. I will say that I’m very grateful that the murals have not been graffiti tagged and are in such excellent shape.

Stay tuned for my next blog post, which will include an Egyptian Revival home in the Hollywood Hills. It’s one of Hollywoods best kept secrets and is currently for sale.

If you’d like to read more about this theater, the Coincidental Dandy has an extraordinary blog post from 2011 that’s truly informative.

John Lautner’s Silvertop Residence

John Lautner's Silvertop Residence, Photo Romi Cortier
John Lautner’s Silvertop Residence, Photo Romi Cortier
John Lautner's Silvertop Residence, Photo Romi Cortier
John Lautner’s Silvertop Residence, Photo Romi Cortier
John Lautner's Silvertop Residence, Bedroom Firelplace, Photo Romi Cortier
John Lautner’s Silvertop Residence, Bedroom Firelplace, Photo Romi Cortier
John Lautner's Silvertop Residence, Bedroom Window Detail, Photo Romi Cortier
John Lautner’s Silvertop Residence, Bedroom Window Detail, Photo Romi Cortier
John Lautner's Silvertop, Interior Atrium, Photo Romi Cortier
John Lautner’s Silvertop, Interior Atrium, Photo Romi Cortier
John Lautner's Silvertop Residence, Entrance, Photo Romi Cortier
John Lautner’s Silvertop Residence, Entrance, Photo Romi Cortier
John Lautner's Silvertop Residence, Lower Level Studio, Photo Romi Cortier
John Lautner’s Silvertop Residence, Lower Level Studio/Guest House, Photo Romi Cortier
John Lautner's Silvertop Residence, Carport, Photo Romi Cortier
John Lautner’s Silvertop Residence, Carport, Photo Romi Cortier
John Lautner's Silvertop Residence, Infinity Pool, Photo Romi Cortier
John Lautner’s Silvertop Residence, Infinity Pool, Photo Romi Cortier

John Lautner’s Silvertop Residence, also known at the Reiner-Burchill Residence, has just been listed for sale. Asking price: 7.5 Million.

I visited this legendary residence during the 2008 Mak Center Tour organized in conjunction with The Hammer Museum‘s exhibit Between Earth and Heaven: The Architecture of John Lautner.  This home was next on my list for the  blog,  so I was thrilled when I discovered via  Curbed LA that the home was now up for sale. I wondered how much had changed since I’d toured the home. Namely, were those cork ceilings still there? Interestingly enough,  the images on their web site,  aren’t much different than the ones I took 6 years earlier. Obviously they’re better quality images  than mine, with proper lighting etc. (I’m sure the hired photographer wasn’t madly jumping off a tour bus first, and climbing back on last, frantically snapping away while moving through the space ahead of the others). However, judging from what I see on their website, not much has changed, in fact, even the chairs and sofa in front of the fireplace  are the same. The cactus framing the window appears to have been replaced with a smaller one,  so as to not obstruct the magnificent view, and the gardens have been cleaned up, but for all practical purposes the home looks pretty much spot on as it did during the home tour.

Silvertop took seven years to construct, and was completed in 1963 for Kenneth Reiner (ladies hair clip baron) at a cost of  nearly $1 million, a tad over the $75,000 estimated cost.  Sadly, Reiner ran into financials problems and was forced to sell the home.  In 1974  the current owners bought the home and hired Lautner to finish the job. I’m not clear by the timeline I’ve found online if there was another owner from ’63 – ’74, or if the home sat vacant for those years.

The home’s construction was groundbreaking for many reasons: It’s concrete dome, which was a first for Lautner, the cantilevered driveway that has no support columns,  faucet-less sinks that automatically fill with water, controls for lights and appliances that were set into walls and door jambs, and lights that pivot into the ceiling.

One observation that I’ll point out, is the cylindrical use of beams in the guest house. It reminds me of Lautner’s 1950 Harvey Residence , which I’ve written about in a previous post. I’m guessing he found this system successful, which is why he used it again in this residence.  Additionally, the guest home is surrounded by that circular cantilevered driveway, thus the circular room construction makes perfect sense.  So. Those cork ceilings… they’re still there.  If Lautner were alive today, I have to wonder if he’d opt to have them removed. They do look cleaner than when I toured the home… maybe they’ve been carefully replaced. I know, I know, it’s best not to mess with such an iconic Los Angeles Jewel such as Silvertop.

Inside the Petit Trianon at the Palace of Versailles

Stairwell, Petite Trianon, Versailles, Photo Romi Cortier
Stairwell, Petit Trianon, Versailles, Photo Romi Cortier
Petite Trianon Interior, Versailles, Photo Romi Cortier
Petit Trianon Interior, Versailles, Photo Romi Cortier
Fireplace at Petite Trianon, Versailles, Photo Romi Cortier
Fireplace at Petit Trianon, Versailles, Photo Romi Cortier
Petite Trianon, Versailles, Photo Romi Cortier
Public Salon, Petit Trianon, Versailles, Photo Romi Cortier
Marie Antoinette Portrait, Grand Trianon, Versailles, Photo Romi Cortier
Marie Antoinette Portrait, Petit Trianon,  Versailles, Photo Romi Cortier
Petite Trianon, Versailles, Photo Romi Cortier
Petit Trianon, Versailles, Photo Romi Cortier
Petite Trianon, Versailles, Photo Romi Cortier
Petit Trianon, Versailles, Photo Romi Cortier
Uniforms for Petite Trianon, Versailles, Photo Romi Cortier
Servant Uniform,  Petit Trianon, Versailles, Photo Romi Cortier

 

I was thrilled to go Inside the Petit Trianon at the Palace of Versailles while visiting France in 2011. It seems to be hit or miss on whether or not the ‘casual’ residences of the Palace will be open to the public based on previous visits, but happily this was one of those days. Looking back, I’m a bit stunned at the amount of photos I took on this trip, but now they’re becoming a great resource for my blog.

The Petit Trianon was built between 1762 and 1768 during the reign of Louis XV. It’s considered a small Chateau and is located on the grounds of the Palace of Versailles, in Versailles, France. Originally built for Madame de Pompadour by Ange-Jacques Gabriel, it ultimately became 19 year old Marie Antoinette’s exclusive residence. The residence became her refuge from the demands of formal ‘court life’ and her royal responsibilities. Known as a Neoclassical residence, each side of the home has a different facade based on how it will be viewed from that part of the estate.

This residence transitions from the Rococo Style into the Neoclassical Style. Some hallmarks of that design period include the thin fluted legs of the Harpsichord  seen in the Public Salon, as well as the elegant round table in the sitting room that appears to have sevre porcelain inlays as well as a delicate gold tea rail. If you look closely at the sitting room photo, you’ll see what appears to be hidden panels in the wall. You’ll also notice there’s  a decorative garland on the wall at the top of the staircase and a gilt garland over the mirror in the public salon. Garlands like this help define the Neoclassical Period.

As I’ve mentioned in previous posts, it’s the repetition of a design element that help define a space. And it appears nothing ties a place together better than gold! Even in the beautifully pastel colored room, the gilt mirrors and candelabra tie that room into the rest of the residence. And don’t you just love those gilt fireplace andirons. I especially love the design of the servants uniforms. Until I reviewed my photos, I didn’t realize how beautifully they tie in with the color palette of the residence. I think they’re so spectacular, and yet they were on display in a lower level hallway that most tourists might have missed. I wonder if the competitors on Project Runway have ever seen these, it might give them a bit of inspiration.

Inside John Lautner’s Tyler Residence

Tyler Residence, John Lautner, Photo Romi Cortier
Tyler Residence by  John Lautner, Photo Romi Cortier
Skylight, Tyler Residence by John Lautner, Photo Romi Cortier
Skylight, Tyler Residence by John Lautner, Photo Romi Cortier
Kitchern, Tyler Residence by John Lautner, Photo Romi Cortier
Kitchen, Tyler Residence by John Lautner, Photo Romi Cortier
Roofline Detail, Tyler Residence by John Lautner, Photo Romi Cortier
Roofline Detail, Tyler Residence by John Lautner, Photo Romi Cortier
Roofline Detail, Tyler Residence by John Lautner, Photo Romi Cortier
Roofline Detail, Tyler Residence by John Lautner, Photo Romi Cortier
Stairwell, Tyler Residence by John Lautner, Photo Romi Cortier
Stairwell, Tyler Residence by John Lautner, Photo Romi Cortier
Shower, Tyler Residence by John Lautner, Photo Romi Cortier
Shower, Tyler Residence by John Lautner, Photo Romi Cortier

In 2008 I was fortunate to be able to go inside John Lautner’s Tyler Residence, thanks to a limited tour organized by the Mak Center in Conjunction with The Hammer Museum‘s exhibit ‘Between Earth and Heaven: The Architecture of John Lautner. The home owners graciously open up their home to bus loads of architectural enthusiasts like myself, and let us meander through their residence snapping photos of whatever appealed to us. There are several images online of this homes exteriors, but not many of its interiors. Therefore, I’m thrilled that I can contribute to the online dialogue of this valuable architectural treasure.

Located in Studio City California, this two-bedroom, two bath home  was built in 1950 and is often referred to as a Triangular Modernist Home, and sometimes even a tree house. It could safely be said that many of Lautner’s homes feel like tree houses since they’re built site specific to work with the natural environment. This is one the hallmarks of his design, a total environment that takes into account the existing assets of the land where the home will be built.

The homes living room is triangular in shape and appears to float out into the trees, as you can see by the first image. Lautner’s works were always complete works of art, not cookie cutter homes, therefore, he continued the use of the triangle as a design element throughout the home.  Look at that great skylight, have you ever seen one like it before? And check out that roof overhang with the triangular shape enhanced by the lack of an actual roof.  Even the shower is triangular in shape.

The other design element that makes this home so exceptional, is the use of the wide wood planks, both inside and out. Repetition is key in creating a design vocabulary, which is exactly what Lautner has done here.  With these types of homes, lets call them Homes as Art,  there’s an even greater responsibility to the community at large. Maintaining the home, while still yielding to the architects intent, can be a fine line to walk. Some neighborhoods, like Los Angeles’s Hancock Park, impose an HPOZ (historic preservation overlay zone) to help raise awareness in regards to the historic value of the homes in their neighborhoods.  I’m not sure if there’s an HPOZ in place for Studio City, but this home appears to be in remarkably great shape. Just look at the luster of those wood planks.  Owning a home built by one of California’s most noteworthy architects only adds to the scrutiny of those ‘prying eyes’ usually limited to nosey neighbors. The architectural community at large always has something to say, especially now that there’s so much awareness regarding our local treasures. We now know that we have a greater responsibility to future generations who at some point will also learn to value our remarkable history. I’m so thrilled that the home owners of the Tyler Residence continue to support the legacy of architects such as John Lautner.  Bravo!!