Category Archives: Architecture

Hills – DeCaro House, Oak Park Illinois

Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
HillsDeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House pergola,, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier

The Hills-DeCaro House, located at 313 Forest Avenue in Oak Park,  has an extraordinary history.  This house is part of the self guided Frank Lloyd Wright walking tour that can be seen while visiting Oak Park, Illinois.

The original structure, seen below, was built by architect Charles C. Miller for William Cunningham Gray in 1883.  After changing ownership in 1900, the home was moved south of its original location, and rotated counterclockwise… who knew they could do that in 1906. Frank Lloyd Wright was then commissioned to redesign the home, thus creating the Prairie Style home seen above. This was achieved by entirely engulfing the original building, creating a more horizontal vibe, versus the vertical look of the original home.

The Gray House by Charles C. Miller, Photo courtesy of the Northwest Architect Archives at the University of Minnesota Libraries in Minneapolis.
The Gray House by Charles C. Miller, Photo courtesy of the Northwest Architect Archives at the University of Minnesota Libraries in Minneapolis.

Completed around 1907, the home was a wedding gift from Nathan Moore, to his daughter Mary Hills . Not fond of the homes ‘stern and austere’ look, she hired a new architect to make alterations, such as extending the kitchen wing to include a pantry and breakfast room, enclosing the rear porch, and adding a children’s playroom under the rear porch.

In 1975 Tom and Irene DeCaro purchased the home and began a diligent restoration with the aid of architect John Tilton. But a fire in 1976 devastated much of the structure, including the entire second and third floors.  Following a neighborhood fundraiser, construction resumed, returning the front elevation to its original 1906 design.  For their part in the restoration, the Oak Park Landmarks Commission voted to rename the completed structure as the Hills-DeCaro House in 1977.

In 2009, the Smylies, who bought the home in 2001, decided to recreate a portion of the original pergola that had once existed. Subsequent digging uncovered the limestone foundation for the pavilion, while Roman bricks were matched to remnants found near the buried foundations.

I had no knowledge of any of these facts until I did research for this article. All I can tell you is how much I loved the grand, yet elegant proportions of this home when I stood in front of it. I also loved the color palette of the home, which seems to reflect todays current trend of of highly  contrasting  black and white exteriors. Little did I know when I walked through the alley behind the home, that the gorgeous pergola was fairly recent and a recreation of the original lost many years ago. This kind of love for architecture gives me faith in humanity on the eve of this very nerve racking election.

Chicago’s Buckingham Fountain

Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier
Buckingham Fountain, Chicago, Photo Romi Cortier

Chicago’s Buckingham Fountain is breathtakingly beautiful. To stand in front of it, is to be enveloped by the truest essence of beauty. The sound of splashing water. The waters mist surrounding you. The sumptuous warmth of the pink Georgia marble. Bronze sculptures that immediately remind you of Versailles. The view of the ocean behind it. It’s truly a feast for all of your senses and should be at the top of your to do list while visiting Chicago.

I was lucky to arrive just as the sun was beginning to set, and I felt like I was witnessing the creation of an 18th-Century Italian painting. The rolling clouds changed color before my eyes, with shades of pale pink and baby blue. The spectacular ‘soft moonlight’ lighting on the fountain revealed itself as the sun continued to set. The warm tones of the marble against the backdrop of cool tones in the sky could not have been anymore perfect. I circled the fountain to experience it from every vantage point. I wanted to linger and spend hours by the fountains edge, but there were still so many things to see along Michigan Avenue.

Kate Sturges Buckingham (1858 – 1937) bestowed this remarkable gift to the city in 1927, as a memorial to her late brother Clarence Buckingham. To this day, it is one of the largest fountains of it’s type in the world.  Architect Edward H. Bennett designed the fountain, and French artist Marcel Loyau produced the sculptural elements, inspired by the Latona Fountain at Versailles.  Located at Columbus Drive and Congress Parkway in Grant Park, the fountains runs from 8 a.m. to 11:00 p.m. daily, from early April through mid-October, depending on the weather.  I can’t wait to return to this glorious  Chicago landmark.

 

Chicago’s Carbide and Carbon Building

Carbon and Carbide Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbon and Carbide Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier
Carbide and Carbon Building, Chicago, Photo Romi Cortier

Chicago’s Carbide and Carbon Building is an extraordinary example of 1920’s Art Deco. I remember seeing this gorgeous building on my last visit to Chicago in 2004, but strangely enough,  I couldn’t remember going inside of it. As it turns out, the building underwent over $106 Million worth of  renovations and updates from 2001 – 2004  and was closed to the public during that time.  No wonder my UCLA art history  teacher who was hosting our trip didn’t take us inside. But you know me, if I see a stunner like this one, I’ll do my best to step inside and experience the glory of a by gone era.

One of the things that I love about the renovations done by the Hard Rock Hotel, is that their signage doesn’t interfere with the striking polished black marble exterior on the lower portion of the building. The upper portion of the building is dark green terra cotta, not black as I’d originally thought. I’d assumed this building was like LA’s very rare gold and black terra cotta art deco buildings, however I was wrong. And can you believe the gold color on the tower is 24k gold.  Even though it’s only one five-thousandths of an inch thick, it’s actual gold.  Elegant bronze trim extends from the tip of the spire to the ground, leading some to believe  that the building was built to look like a champagne bottle.

The entrance at 230 N. Michigan Avenue sports a bronze grill over the massive doorway, something that beckons any seasoned deco enthusiast to enter. And once you’ve stepped  inside the lobby, the exquisite deco elevator doors will practically take your breath away, They’re every bit as beautiful as the ones at the Waldorf Astoria in New York.

The Carbide and Carbon Company developed the first dry cell battery  and commissioned the Burnham Brothers to create their home base, which was completed in 1929. There were plans for a sister building, however, the stock market crash of 1929 put an end to that.  Zoning laws in 1923 limited the height of skyscrapers, allowing for towers as long as they didn’t take up more than one quarter of the lot size. Therefore, this building has a 23 story base and a 15 story tower. There’s something so elegant about the proportions of buildings from the 20’a and 30’s.  They’re more human in scale and have so easily stood the test of time. Hooray for the Hard Rock Hotel for reinvesting in this gem of a building and bringing it up to date.

If you’d like to book a room at the Chicago Hard Rock Hotel, click HERE. 

Inside the How House, by Architect R.M. Schindler

How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier

I walked into R. M. Schindler’s How House cold, knowing absolutely nothing about it.  An hour later I left feeling  like a Buddhist monk…  zen, grounded, tranquil and full of love. It’s rare to experience this sort of transformation while moving through a home.

A decade earlier at the Farnsworth House in Plano, Illinois I had a similar experience and it literally brought me to tears. It was designed by Mies van der Rohe in the late 40’s,  and is an iconic masterpiece of the International Style of architecture,  just as this home is. The International Style began in the late 1920’s and continued into the early 1980’s. Hallmarks of this design movement include: rectilinear forms, open interior spaces, a visually weightless quality engendered by the use of cantilever construction, and light, taut plane surfaces stripped of applied ornamentation and decoration. I know that’s a mouthful for non architectural enthusiasts, but it helps give words to the ‘visual rhythm’  that a trained eye can identify.

When I first stood outside this home, I thought of Frank Lloyd Wright’s Falling Water, one of his most famous homes with overlapping horizontal and vertical planes. As it turns out,  Schindler worked with Wright for nearly a decade on several of his most significant residences. One of the aspects of this home that really moved me, was the use of poured concrete walls with horizontal bands. As you can clearly see, that ‘banding’ theme was also applied to  the exterior and interior woodwork of the home, as well as the windows and fireplace.

While conversing with Brian Linder, AIA, in the living room of the home, I learned  that the home had been meticulously restored by Michael LaFetra in 2007.  The original redwood wall panels were replaced by retrieving logs from the bottom of the riverbed where the original trees for the wood had been milled. How’s that for going the extra distance to keep the home as original as possible. You can read more about LaFetra’s restoration by following this link: Michael LaFetra.

Lastly, when I toured this home on Sunday July 10th, I had no idea that it was the first ever open house to the public. I’m so glad I opened my email from The Value of Architecture… it was gift from the heavens for those of us obsessed with important architectural gems like this.

See more photos, as well as the MLS listing,  HERE

How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier
How House, R.M. Schindler, Architect, Silver Lake, Ca. Photo Romi Cortier

 

Revisiting the Frank Lloyd Wright Home and Studio

Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier

I first visited the Frank Lloyd Wright Home and Studio in 2004 on an architectural tour hosted by my art history teacher from  UCLA.  It so impressed me that I couldn’t wait to revisit it on my recent trip to Chicago.  The entire neighborhood  surrounding the studio was absolutely pristine. Clearly there must be an HPOZ or some governing body in place to ensure that the neighborhood remains in tip top shape for visiting tourists such as myself, who are devotees of Frank Lloyd Wrights Prairie Style architecture.

Mr. Wright built his original home on this site in 1889, seen below from the side. In 1897 he added on the architectural work studio seen above. Even though he had an office in Chicago’s downtown Loop neighborhood, he preferred to be in an environment that ‘conspired to develop the best there is in him.‘ An environment free of the distractions of the busy city. 

Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier

By viewing the homes located directly across the street (seen below), it helps you see just how revolutionary Wright’s designs were. Typical buildings of this era were mired in the past, with styles derived from the architecture of old Europe. Organic Architecture, as he referred to it, meant that architecture should be suited to its environment and be a product of its place, purpose and time. The Prairie Style was inspired by the broad flat landscapes of the American Midwest and it was the first uniquely American architectural style of what has been called ‘The American Century’.

Oak Park, Illinois, Photo Romi Cortier
Oak Park, Illinois, Photo Romi Cortier

In 1888 Frank Lloyd Wright studied under the prestigious firm of Adler & Sullivan. Louis Sullivan soon recognized Wright’s talent and spent countless hours mentoring him and shaping his philosophies. It’s my opinion that the four decorative pillar supports seen above are an homage to Sullivan, who was famous for his vegetal ornamentation, also a signature of the Art Nouveau period. Wright’s later vegetal work becomes much more streamlined and graphic, like the detail seen below in Los Angeles’s Hollyhock House.

Hollyhock Panel, Hollyhock House, Barnsdall Park, Photo Romi Cortier
Hollyhock Panel, Hollyhock House, Barnsdall Park, Photo Romi Cortier

Next time you’re visiting Chicago, be sure and find time to tour this remarkable and important home that was the foundation for Wright’s illustrious career as one of Americas foremost architects.

Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier

flwright.org

… and lastly, check out my recent video about the painting I created from the garden statue above known as ‘Sprite in the Garden‘.