Category Archives: Art

Paris Photo LA

Paris Photo LA, Photo Romi Cortier
Paris Photo LA, Photo Romi Cortier
Paris Photo LA, Photo Romi Cortier
Paris Photo LA, Photo Romi Cortier
Paris Photo LA, Photo Romi Cortier
Klowden Mann Gallery, Paris Photo LA, Photo Romi Cortier
Paris Photo LA, Photo Romi Cortier
Hamiltons Gallery of London, Paris Photo LA, Photo Romi Cortier
Paris Photo LA, Photo Romi Cortier
Mariane Ibrahim Gallery of Seattle, Paris Photo LA, Photo Romi Cortier
Paris Photo LA, Photo Romi Cortier
Edward S. Curtis, Copper Photogravure Printing Plate, Bruce Kapson Gallery,  Paris Photo LA, Photo Romi Cortier

Paris Photo LA just wrapped at the Paramount Studios backlot. It ran from May 1 – 3,  2015, and included 80 galleries and art book dealers from 17 countries world – wide. Paris Photo LA is the US edition of the world’s most celebrated art fair for works created in the photographic medium. Paramount Studios was the ideal setting to explore how artist have been, and continue to use photography and moving images in their work, during the 20th and 21st centuries.

That aside… who doesn’t love going onto the studio backlot, the glamours birth place  of Hollywoods Golden Era. After 20 years of living here, it’s still so exciting to walk through the sound stages, rich in television and film history, marveling at the continued ‘magic in the making’.  In the late 1990’s I would go to weekly tapings of client Sharon Lawrence’s TV sitcom Fired Up on Stage 29 or Stage 30. It’s so exciting to be a part of someone’s entourage, and of course it’s great for business! At one point I was doing the hair of nearly a dozen people from the production side of the show, as well as the stars cuts and colors who was  graciously singing my praises to everyone.

Stage 29, Paramount Studios Backlot, Photo Romi Cortier
Stage 29, Paramount Studios Backlot, Photo Romi Cortier

Therefore, I  suppose nostalgia was the real motivating factor for me to attend the Paris Photo LA exhibit. I’m more drawn to paintings than photography. That said, I certainly had some wow moments during the exhibit. My absolute favorite pieces were the copper photogravure printing plates at the Bruce Kapson Gallery. There were nearly a dozen of them, priced in the tens of thousands of dollars range each. Breathtaking in their detail, they were created by Edward S. Curtis from 1900 – 1914 for The North American Indian series. Even the text on the copper plates was etched in reverse. I only wish my little iphone were able to truly capture the rich detail of the plates. (Follow this link to learn more about the gallery and see the images created by the plates)

Conceptually, the idea of turning vacant storefronts on the New York and Chicago Backlots into actual art galleries, is beyond brilliant. People were sitting on the perches of the steps, eating dishes from the  food trucks, while milling from ‘gallery to gallery’ as if we were all extra’s in some sort of blockbuster film.  It had the truest sense of community with just a tinge of excitement… because what better place to see actual celebrities than the Paramount Studio backlot. (Yes I saw one but we won’t name names – cough cough Desperately Seeking Susan #Not Madonna)

Paramount Studios Backlot, Paris Photo LA, Photo Romi Cortier
Paramount Studios Backlot, Paris Photo LA, Photo Romi Cortier

I hope you’ll be able to attend next years Paris Photo LA.  And in the mean time, please enjoy one of my favorite clips from Fired up: a musical dream sequence that has Ms. Lawrence singing and dancing her way into our hearts.

 

 

LBJ Presidential Library Murals by Naomi Savage

Lyndon Baines Johnson Mural, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ  Mural by Naomi Savage, Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Mural, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ Mural by Naomi Savage, Lyndon Baines Johnson  Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Mural, LBj Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ  Mural by Naomi Savage,  Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Mural, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ  Mural by Naomi Savage, Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Mural, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ  Mural by Naomi Savage, Lyndon Baines Johnson  Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Mural, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ  Mural by Naomi Savage, Lyndon Baines Johnson  Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Mural, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ Mural by Naomi Savage, Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier

The fifty-foot long mural by Naomi Savage in the Great Hall of  the Lyndon Baines Johnson Presidential Library is quite stunning. It features five panels of deeply etched magnesium plates, each ten feet across and eight feet high. Her photographic engravings depict LBJ with Presidents Franklin D. Roosevelt, Harry S. Truman, Dwight D. Eisenhower, John F. Kennedy, and lastly by himself as President of the United States.

I was thrilled to learn that Savage was the niece of famed photographer Man Ray.  He encouraged her to try anything – there was nothing you were told not to do, except spill the chemicals. She pioneered the use of photographic engravings for which she is best known, and had her first exhibit at the Museum of Modern Art in 1952. She came up with the idea after combining painting with photography. The actual metal photographic plate itself is the art, described as a kind of topographic photograph with forms in three dimensions and with a variety of metallic surfaces and tones. 

As you exit the galleries of the library  into the Great Hall, the glow of the murals slowly capture your attention. At first glance you’re not sure what you’re seeing. Then you’re drawn in by the texture, yet simultaneously  forced to step back to take in the grandness of the piece . With so much amazing texture, it’s very difficult not to walk up to the mural and run your hands over it… it begs to be touched. Yes, I behaved myself.  But I did take a selfie in front of it to give it a sense of scale… ok, who am I kidding. I’m just a totally nerdy narcissist. The next time you’re in Austin, Texas, be sure and check out the LBJ Presidential Library.

Romi Cortier in front of the Naomi Savage Mural, LBJ Presidential Library, Austin, Texas
Romi Cortier in front of the Naomi Savage Mural, LBJ Presidential Library, Austin, Texas

Lyndon Baines Johnson Presidential Library

Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier

I love the Great Hall of the Lyndon Baines Johnson Presidential Library. It’s ceremonial staircase ascends into a four-story glass encased view of the archives collection, which emanates a lustrous red glow throughout the entire space. Mirroring the archives on the opposite wall is a nearly four-story Presidential Seal, beautifully etched into the travertine wall. The feeling of the overall space is both elegant and restrained. Another design feature that I love are the photographic Presidential portraits lining the walls, with their respective first ladies beneath them. If you look closely at the photo below, they’ve left space for the next President on the far right. I’m wondering what the protocol will be in the event the Hillary Rodham-Clinton is elected our next President… will they place former President Bill Clinton beneath her portrait? I guess time will tell.

LBJ Presidential Portraits, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ Presidential Portraits, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier

The monolithic ten-story LBJ Presidential Library and Museum was completed in 1971 by architect Gordon Bunshaft of Skidmore, Owings, and Merrill. This is one of 13 Presidential Libraries administered by the National Archives and Records Administration… that’s two down and 11 to go! I know it sounds kinda nerdy, but there’s something so rewarding about walking through these time capsules that include tv-shows and other elements of the era, to help add perspective to the time in which the Presidents governed.

This particular library tours starts with a very poignant look at the events that thrust LBJ into the Presidential seat… the assassination of President John F. Kennedy. The photo below shows then Vice President Lyndon Johnson and Lady Bird Johnson comforting First Lady Jacqueline Kennedy aboard Air Force One after the assassination.

Lady Bird Johnson, Lyndon Johnson and Jacqueline Kennedy aboard Air Force One.
Lady Bird Johnson, Lyndon Johnson and Jacqueline Kennedy aboard Air Force One.

Additionally, the LBJ Presidential Library has rotating exhibits. I feel fortunate to have been there on one of the last days of the Selma Exhibit: March to Freedom.  The exhibit featured photos by renowned civil rights photographer James ‘Spider’ Martin as well as select photos from the April 2014 Civil Rights Summit at the LBJ Presidential Library.

March to Freedom, Selma exhibit at LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
March to Freedom, Selma exhibit at LBJ Presidential Library, Austin, Texas, Photo Romi Cortier

Earlier this year I attended a Los Angeles exhibition at the Fahey/Klein Gallery titled March to Freedom that also focused on the 50 year anniversary of the march to Selma. It included the photos of Stephen Somerstein, Flip Shculke, and Steve Schapiro. Happily photographers Steve Schapiro and Stephen Somerstein were able to attend the opening night gala. It’s so hard to believe that these gentlemen witnessed that remarkable journey, and I feel so honored to have met both of them.  Little did I know at the time of this exhibit that I’d also be seeing the exhibit at LBJ… maybe there’s an order to the cosmos that remains unseen.

Romi Cortier with renowned Photographer Steve Schapiro, Fahey/Klein Gallery opening night 'March to Freedom'
Romi Cortier with renowned Photographer Steve Schapiro, Fahey/Klein Gallery opening night ‘March to Freedom’
Photographer Stephen Somerstein, Fahey/Klein Gallery, March to Freedom Exhibit.
Photographer Stephen Somerstein, Fahey/Klein Gallery, March to Freedom Exhibit.
Photographer Flip Shculke, Fahey/Klein Gallery, March to Freedom Exhibit
Photographer Flip Shculke, Fahey/Klein Gallery, March to Freedom Exhibit
Photographer Steve Schapiro, Fahey/Klein Gallery, March to Freedom Exhibit
Photographer Steve Schapiro, Fahey/Klein Gallery, March to Freedom Exhibit

Learn more about the Lyndon Baines Johnson Presidential Library Here.

The Nudes of John Tessier aka Jack McCullough

Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough
Model Romi Cortier, Photo John Tessier aka Jack McCullough

This is my third post about the photography of John Tessier aka Jack McCullough.  As I said previously, John Tessier was my roommate during the mid 1980’s,  as well as a friend and artistic collaborator. The photos that I’m sharing above are from my personal archives.

I spent hundreds of hours working with John over our decade long friendship. Sometimes I worked as the hair and makeup artist, sometimes as an artistic director, and other times  as a model.  The time we spent in the photo studio shooting nudes was often shared with a female ballet dancer who I’ve written about previously.  She was always remarkable in front of the camera, creating elegant poses with her petite yet strong dancers frame. I learned a tremendous amount while watching her work, often times doing my best to recreate her most successful poses during my time in front of the lens. Spending two, three of four hours in front of the camera  is much harder and more exhausting than you can ever imagine.  And if you’re covered in white or black body paint, as we often were, then you need to be even more vigilant so as not to rub it off onto any of the other surfaces in the studio.  Additionally, once a composition has been created in front of the camera, you’ll need to hold if for long periods of time while also looking relaxed. Oh, and don’t forget to exhale so your stomach is as small and flat as possible.

As you may or may not know, John, or Jack McCullough as he’s legally known, was convicted of the kidnapping and murder of Maria Ridulph in September of 2012. He received a life sentence with the possibility of parole after 20 years.  On February 13, 2015, the Second District Appellate Court of Illinois issued their response to Jack Daniel McCullough’s appeal of the murder conviction. The court upheld the 2012 murder conviction, but vacated the kidnapping and abduction of an infant charges.

I still feel very conflicted about what has become of my friend who I often thought of as a mentor.  We lost touch after I moved to Los Angeles in the early 90’s, but I always thought of him as a pretty good guy. Sometimes I thought he was a bit of an opportunist when it came to dating women, always dating up as it were. But there’s certainly no crime in that. When I became aware of his story during a random google search two years ago, I was stunned, saddened and even a bit bewildered. It’s hard to reconcile the man you know, with the facts that have been presented by the prosecution. His fourth wife’s family still maintains his innocence, and has even contacted me to try and sway my opinion. I believe that when it comes to human nature, people will hide whatever aspects they need to of themselves, to appear as normal as possible. As a friend of mine once said: Only the spoon knows where the bottom of the pot is. 

Korean Artist Bahk Seon Ghi

Bahk Seon Ghi, Photo Romi Cortier
An Aggregation by Bahk Seon Ghi, Photo Romi Cortier
Bahk Seon Ghi, Photo Romi Cortier
An Aggregation by Bahk Seon Ghi, Photo Romi Cortier
Bahk Seon Ghi, Photo Romi Cortier
An Aggregation by Bahk Seon Ghi, Photo Romi Cortier
Bahk Seon Ghi, Photo Romi Cortier
An Aggregation by Bahk Seon Ghi, Photo Romi Cortier
Bahk Seon Ghi, Photo Romi Cortier
An Aggregation by Bahk Seon Ghi, Photo Romi Cortier
Bahk Seon Ghi, Photo Romi Cortier
An Aggregation by Bahk Seon Ghi, Photo Romi Cortier
Bahk Seon Ghi, Photo Romi Cortier
An Aggregation by Bahk Seon Ghi, Photo Romi Cortier

Once you’ve seen the work of Korean Artist Bahk Seon Ghi, you won’t forget it. Initially I discovered his work at the Palm Springs Fine Art Fair in February of this year.  One of his sculptures was hanging in the entry of the fair, however I wasn’t able to find the artist placard. The minute I saw his work at the PDC in West Hollywood last month,  I connected the dots and knew in an instant that it was the same artist.

There’s so much to love about his work.  It’s as if birds have taken flight and created a silhouette that we can recognize instantly. In reality, they’re small pieces of charcoal threaded together with nylon, hanging from a translucent disc. As you move around the sculpture, you’ll notice how the lighting creates stunning shadows that are equally as interesting. It’s so difficult to know where the actual sculpture ends, and the shadows begin. It makes me think of those crazy fight sequences in the Matrix, where we’re able to observe the actor from several points of view. Of course inquiring minds want to know how these remarkable pieces are packed and transported, not to mention how they’re constructed. The gallery hostess told me to simply enjoy the works as they are, when I asked her those questions.

Bahk makes open-form representations of architectural objects and elements of the natural world. The series above is titled: An Aggregation, where his charcoal and nylon objects take the form of a liquid drop, picture or window frames, and a vortex among other nebulous and beguiling forms. These works are on view at the CMAY Gallery, 8687 Melrose Avenue, Space B226, West Hollywood, Ca. 90069. The exhibition closes May 22, 2015.

www.CMAYGallery.com