Category Archives: Art

The Art of Michael Muller & Sage Vaughn

'Hitch Hiker' Acrylic, Ink and Vellum on Archival Paper, Micheal Muller & Sage Vaughn, Photo Romi Cortier
‘Hitch Hiker’ Acrylic, Ink and Vellum on Archival Paper, Micheal Muller & Sage Vaughn, Photo Romi Cortier
'Attacker 1', Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
‘Attacker 1’, Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
Echo Chamber, Acrylic, Ink & Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
‘Echo Chamber’, Acrylic, Ink & Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
'Peeper', Acrylic, Ink and Vellum on Archival Photograph Paper, Sage Vaughn & Micheal Muller, Photo Romi Cortier
‘Peeper’, Acrylic, Ink and Vellum on Archival Photograph Paper,  Micheal Muller & Sage Vaughn, Photo Romi Cortier
'Garden Party Crasher', Acrylic, Ink, and Vellum on Archival Photograph Paper, Michael fuller & Sage Vaughn, Photo Romi Cortier
‘Garden Party Crasher’, Acrylic, Ink, and Vellum on Archival Photograph Paper, Michael fuller & Sage Vaughn, Photo Romi Cortier
'Attacker 2', Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Miller & Sage Vaughn, Photo Romi Cortier
‘Attacker 2’, Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Miller & Sage Vaughn, Photo Romi Cortier

I LOVED the recent art exhibition of Michael Muller and Sage Vaughn. I’ve been aware of Sage’s paintings for years, but I’ve never had the opportunity to see his work in person. This  recent exhibit featured Vaughn’s painting over the photographic images of Michael Muller.  Most images were 48″ x 60″ and some as large as 60″ x 90″, ranging in price from $16,000 – $22,000. I was elated to see so many red sold dots on the pieces.

Over the last decade Sage has had multiple solo shows, from New York to London to Germany and Geneva. There have also been several group exhibitions from Los Angeles to London, San Francisco  to Belgium… it’s safe to say, Sage is everywhere. I wish I would have known about his work a decade ago, as it might have been a bit more affordable. But that’s what drives prices up: the international solo shows and a list of top notch collectors.

Below are a few more images of Sage’s work from his web site www.sagevaughn.com.

I'm not Trying to Forget, Acrylic, Ink and Vellum on Paper, Sage Vaughn, SageVaughn.com
I’m not Trying to Forget, Acrylic, Ink and Vellum on Paper, Sage Vaughn, SageVaughn.com
The Gazer (R Prince) 2014, Oil, Acrylic, Ink and Vellum on Canvas, Sage Vaughn, SageVaughn.com
The Gazer (R Prince) 2014, Oil, Acrylic, Ink and Vellum on Canvas, Sage Vaughn, SageVaughn.com

As an artist, I’ve been very enamored by Sage’s use of the Butterfly, combined with his drip paint technique. Below you can view a YouTube mural making video that I created in 2014 inspired directly by his paintings. I have no idea if he’s ever seen my work, but I do hope that he would be flattered and not offended by my interpretation of his beautiful fine art.

 

Meeting Peter Shire

Belle Air, Chair, Peter Shire, Photo Romi Cortier
Belle Air, Chair, MOCA, West Hollywood,  Peter Shire, Photo Romi Cortier
Chair, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Chair, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Chair Installation, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Chair Installation, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Belle Aire, Chair, 2010, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Belle Aire, Chair, 2010, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Chair, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Chair, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Bel Air, Memphis, 1981, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Bel Air, Memphis, 1981, MOCA, West Hollywood, Peter Shire, Photo Romi Cortier
Olympic Lamp Installation, MOCA, West Hollywood, Peter Shire, Photo Recio Young
Olympic Lamp Installation  &  Romi Cortier,  MOCA, West Hollywood, Peter Shire, Photo Recio Young

I never imagined that I’d have the distinct pleasure of meeting Peter Shire, the only American artist to serve as part of the Italian based Memphis Group…. but I did!!  It happened on the last day of his recent exhibit at MOCA, West Hollywood, down to about the last hour of his show that closed on July 2, 2017.

I kept nudging my fiance that morning… lets go, it’s closes at 6. Himyou still have a few hours, why rush. Ugh. You know that feeling when you’re so excited like a kid who wants to go to the carnival?  Well that’s me when it came to seeing this exciting show, because it held so much history for me.  I’d been aware of the Memphis Group, since they burst on the scene in the early 1980’s. As a young guy who’d just moved to Seattle from the boonies, I was awestruck by the bold and colorful furniture that I’d seen in a few of the Italian based furniture stores. And then, there was that crazy fun movie ‘Ruthless People’ starring Better Midler and Danny DeVito in 1986 which solidified the outrageous design movement known as Post Modernism.  To be honest, I think they were poking fun at the Memphis furniture style  by stuffing the characters Bel-Air home on Belagio Drive with loads and loads of it. But it made an impact that stuck.

To be clear about this design movement, a lot of people hated it. But I’ve always believed in it. My professors at the UCLA interior design school taught us that it takes at least 20 years for the scholars to look back on a design movement and put it in perspective. Well… it’s been 30 years, and guys like Peter Shire and Ettore Sottsass, who founded the group, are getting museum shows all across the country. That’s a good sign.  And auction sales for their work are also very strong, another good sign. I own a few pieces of furniture from this era, and I’ve used them daily with great pride. In the photo below you can see the First Chair by Michele de Lucchi (blue disc on the right), that I’ve owned forever. I use it as my painting chair in my art studio because it’s durable and resistant to paint.

Romi Cortier painting in his Art Studio, Laurel Canyon, Photo Sylvan Scott
Romi Cortier painting in his Art Studio, Laurel Canyon, Photo Sylvan Scott

So, back to the exhibit. When we walked into MOCA, the receptionist mentioned that Peter might still be upstairs.  Whaaaat? Oh my god, really? I was so nervous as I climbed the stairs to the upper gallery.   He was there. In the corner. Chatting away. Well…. I circled the gallery, enjoyed and photographed my favorite pieces… but I just couldn’t bring myself to say hello. I was chickening out, but my fiance pushed me: say hello, say hello. You would have thought I was trying to work up the nerve to say hello to Brad Pit or some Hollywood A Lister. The thing is, in my eyes, men like Peter Shire are way more important then Hollywood celebs. They’re artists. They create something from nothing and change the way we view and experience the world. I was just as giddy  meeting the iconic photographer Julius Shulman and artist Francoise Gilot.

Mr. Shire was very kind and easy to talk to. He also thanked me for taking the work so seriously and for coming to his show. Please… I would have gotten down on my hands and knees and polished his shoes in that moment. I went downstairs, purchased a book from the show, and went back up for an autograph. He asked his famous architect friend to hold the book while I looked on: Too many famous people!!! In one room. To two very nice people!!!

www.petershirestudio.com 

Romi Cortier, Peter Shire, Friend and Architect, MOCA, West Hollywood, Photo Recio Young
Romi Cortier, Peter Shire, Friend and Architect, MOCA, West Hollywood, Photo Recio Young

Chihuly Glass lifts my spirits after the election

Chihuly Garden and Glass Museum, Seattle, Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa. Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa. Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa, Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa, Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier
Chihuly Garden and Glass Museum, Seattle, Wa., Photo Romi Cortier

This is my second post about Seattle’s Chihuly Garden and Glass Museum which I had the pleasure of visiting in February of this year. Bright colors like this make me happy and help to transport my spirit to a better place. The metaphor of a boat filled with Chihuly glass couldn’t be more poignant at this time. The word Chihuly starts with chi, which in Chinese culture can be interpreted to mean ‘life force’. Therefore, I’m hopping aboard this little boat full of life force that’s traversing a black sea, taking me to places unknown with a whole lotta faith. And faith is what is needed in light of the recent presidential election here in the states. It left half our country feeling completely  devastated, as well as some countries abroad. We’re in a time of transition and it’s anyones guess where we’ll end up.

I grew up in the Pacific Northwest and spent ten years living in the downtown area of Seattle, moving to L A in the mid 90’s. Chihuly has always been part of the local vernacular there. I had clients who owned pieces of his work, and  downtown office buildings have permanent  installations of his blown glass in their lobbies, such as the one below. Plus, there were always frequent gallery openings or museum shows that anyone could attend. It was just one of those things you sorta took for granted. But now that I live in earthquake country, I appreciate his work even more. My own small blown glass collection made from Seattle glass blowers, which I love tremendously,  remains in storage for safety reasons.

Chihuly Glass Installation, Seattle, Wa., Photo Romi Cortier
Chihuly Glass Installation, Seattle, Wa., Photo Romi Cortier

The other thing that I’m reminded of when I think of my time in Seattle, is how I was perceived as ‘other’.  With my black hair and olive skin, I was constantly asked my ethnicity. Are you Egyptian, Mexican, Persian… I was oddly exotic in those days. Then I moved to Los Angeles and all of that changed. I was stunned and excited at how remarkably diverse the culture here was. It was rather mind blowing to me that people came to this little plot of land from all over the world, to share in the California dream.  At that point, I became much more aware of how white I actually was, and that I was also a minority here in a completely different way. If I were living on the westside, say Santa Monica or Brentwood, then I may have blended in more.  I never gave it much thought, it was just the way LA was… a melting pot of really interesting cultures from all over the world. And now, with my silvery white hair and paler skin,  I  feel like the old  waspy white guy. Wow, how did I get here in 25 quick years.

Romi Cortier with sisters Tami & Tina
Romi Cortier with sisters Tami & Tina

The reason that I bring this up is because most of us in white america never know what it means to be ‘the other’.  For a period of time, I did. I  think that is why so many of my friends here in Los Angeles, as well as my clients at the salon,  feel completely devastated by this election. Some of them truly fear for their safety when they travel outside of our diverse little L A bubble.  Honestly I’d never given white privilege much thought, until I discovered that I’m actually pretty white.  My very handsome fiance is black, which also helped shifted my point of view, opening my eyes to the challenges he and his family have  faced over the years.   For me,  people are people. Color has never been an issue. In fact, I’ve always thought people with darker skin than me were much better looking… maybe it’s the artist in me.  And at my salon,  I’m hearing interesting points of view from my clients who’ve immigrated  from Ireland, England, Iran, Paris  and Armenia. Even though most of them pass for ‘white’,  they’re still concerned at what all of this rhetoric from our new president elect may mean for them.

As a progressive guy, I was very excited about the possibility of a female president, regardless of her baggage. To me, she was the most prepared for the position. I’ve since learned that over half of our country doesn’t feel included in the current american dream, and was willing to shake things up in an unprecedented way.  Since the Donald is a complete wildcard, it’s anyones guess what the next four years will bring.  This forced me to look deep into myself and ask myself what was important for me. It helped me to get clear on my soul purpose once again. Below is what I shared on my facebook page the day after the election.

Today I am a citizen of the world. I renew my commitment to focus on what is beautiful and right in this world, and will do my best not to go down the rabbit hole of fear, hatred and anger. I will continue to celebrate that beautiful piece of art, or a glorious piece of architecture that came from our higher source. I will celebrate man made elements that reflect our better selves, holding us to higher standards born out of our infinite source of creativity. To me, that is being godly, while staying connected to this world in a way that serves us all. #LoveWins

Thank you again for joining me on  this journey of art, architecture, interior design, and anything else I find worthy of sharing with you.  I really appreciate having a forum to think out loud, hopefully bringing a new perspective to things. Besides, beautiful things never go out of style.

Photographer Michael Sanville is simply superb

Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville

Michael Sanville is without a doubt one of the finest photographers I’ve ever had the pleasure of shooting with.

I first met Michael in the mid 1990’s after moving to Los Angeles. He was part of a larger circle of friends that included actors, artists,  writers and producers. If I recall correctly it was my acting teacher Leigh Kilton- Smith, part of the hill posse, who referred me to him. This cast of successful people lived on a hill overlooking Laurel Canyon, which is where Michael still resides to this day.

I’d had several head shots taken while pursuing acting in the 90’s, but the one taken below by Michael, was always my favorite from that period of my life. I’ll never forget showing it to a friend in Seattle who said  wow… that’s a very flattering photo. Hmmm, I thought to myself, are you trying to tell me I don’t look that good in person?  Who cares if I really look that good in person, or not.  It’s all about finding someone who sees us the way we want to be seen, or who can help us see ourselves in a more flattering light. One of the things I’ve come to love about this photo is the smattering of gray  that’s just starting to creep into my hair…  and maybe I also love my slightly lower hairline.

Romi Cortier, Photo Michael Sanville
Romi Cortier, Photo Michael Sanville

About a year and a half ago, I decided I needed some new upscale photos of myself to use for press and other projects that I had in the works. I knew Mr. Sanville was the man to make it happen. It seems our world is increasingly image oriented thanks to social media, so if you’re gonna do it, you might as well  do it right. You can only do so much with an iphone and silly selfies. It takes a seasoned photographer to know which lense to use,  how far away to stand, where to position the lights, and most importantly, the story you’re trying to tell. Additionally,  It’s always a treat to visit Michaels hillside home. The environment is peaceful and quiet in a way that’s becoming increasingly hard to find in LA. Taking photos in the studio is such a pleasure as you gaze out at the Hollywood sign in the far off distance, or catch a glimpse of the hawks and ravens as they glide by the balcony at eye level.

Michael was recently written up in VoyageLa.com, which was a great read. His oeuvre has grown from head shots, to include portraiture and fashion photography. If you’re in the market to have superb photos taken I’d highly recommend checking out Michael, he’s one of my favorite people in tinsel town.

VoyageLa Article

www.michaelsanvilleheadshots.com

www.michaelsanville.com

Davyd Whaley Foundation Launch Party

Davyd Whaley Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation  Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Photo Romi Cortier
Davyd Whaley Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Los Angeles, Photo Romi Cortier
Davyd Whaley Foundation Launch Party, Los Angeles, Photo Melanie
Davyd Whaley Foundation Launch Party, Los Angeles, Romi Cortier and Coco, aka MalibuPom, Photo Melanie

I recently attended the Davyd Whaley Foundation Launch Party in Los Angeles.  I was invited by longtime client Ellie Blankfort who is the Foundation Director.  She’d been telling me about the event for several months,  so I pencilled it onto my calendar weeks in advance. The turnout for the evening was beyond amazing. Andie MacDowell was in attendance, as well as several other faces I recognized.  There were so many people in the room, that it made it a bit tough to get good shots of the art, but better that then to hear the crickets chirping at such an important event.

Established in 2016, The Davyd Whaley Foundation is dedicated to supporting Los Angeles area artists. In the spirit of its namesake Davyd Whaley (1967 – 2014), the Foundation offers a variety of grants to assist these artists in the fulfillment of their vision. 

The mission of the Foundation is dedicated to supporting Los Angeles Artists, and was designed around the following tenets: Make art. Buy the art of others. Help people whenever possible. Grow in Consciousness.

The Mid – Career Artist Grant applications will become available October 15, 2016, due on January 15, 2017, and awarded on March 15, 2017.  It will be a $10,000 grant for a Los Angeles area artist who has already created a substantial body of work and achieved an initial level of local recognition, but who has yet to receive national exposure and acclaim.

There will also be an Artist – Teacher Grant in the same amount, awarded to an art-educator in the Los Angeles area, to allow them more time, energy, and resources to devote to their studio work.

Ellie Blankfort & Norman Buckley, Davyd Whaley Foundation Launch Party, Los Angeles
Ellie Blankfort & Norman Buckley, Davyd Whaley Foundation Launch Party, Los Angeles

Ellie Blankfort and Norman Buckley can be seen above announcing these grants to the audience. If you’re interested in learning more about the foundation or the grant process, please follow the link below.

Davyd Whaley Foundation