Category Archives: Art

Art at the Seattle Tacoma Airport

 

Airplane, Seattle Tacoma Airport, Photo Romi Cortier
Airplane, Seattle Tacoma Airport, Photo Romi Cortier
York Factory A, 1972, By Frank Stella, Photo Romi Cortier
York Factory A, 1972,  Frank Stella, Photo Romi Cortier
Journey Home, 1992, By Larry Kirkland, Seattle Tacoma Airport, Photo Romi Cortier
Journey Home, 1992,  Larry Kirkland, Seattle Tacoma Airport, Photo Romi Cortier
For A. W., 1988, By Dick Weiss, Seattle Tacoma Airport, Photo Romi Cortier
For A. W., 1988, Dick Weiss, Seattle Tacoma Airport, Photo Romi Cortier
Corridor, Seattle Tacoma Airport, Photo Romi Cortier
Traveling Light, Linda Beaumont, Seattle Tacoma Airport, Photo Romi Cortier
Cloudsandclunkers, 2006, Peter Shelton, Photo Romi Cortier
Cloudsandclunkers, 2006, Peter Shelton, Seattle Tacoma Airport,  Photo Romi Cortier
Northwest Garnering, 1992, William Morris, Seattle Tacoma Airport, Photo Romi Cortier
Northwest Garnering, 1992, William Morris, Seattle Tacoma Airport, Photo Romi Cortier

The Seattle Tacoma Airport has an extraordinary art collection. Even if you’re not into art, these remarkable installations are hard to miss. I’ve traveled through a lot of airports over the years, but I don’t recall any so heavily anointed with public art as SeaTac. As a resident of Seattle in the 1980’s, I recall the early building boom of high rises in downtown. If memory serves me correctly, 1% of the construction cost had to be reserved for public art. Therefore, art was everywhere. From hand painted tiles, to lavish blown glass displays in high rise lobbies, art was common place. It’s a such a brilliant way to give back to the community. Happily the trend has continued at the airport.

Imagine dashing through Sea Tac as the sunlight comes streaming through a three story high stained glass piece by Dick Weiss, with blue refracted light streaming everywhere.  I’d hope you’d put down your cell phone for just a few moments and take in it’s beauty. Previously reserved for those visiting Cathedrals such as Notre Dames South Rose Window, circa 1260, these experiences are not common place. During that era, your only opportunity to see such things might be the result of a religious pilgrimage, taking weeks or even months to achieve.  Now, we casually hop on planes from continent to continent, barely thinking twice about our experience… unless something goes horribly wrong, but lets not go there.

Having grown up in the northwest, I immediately recognize many of the cultural practices being celebrated or referenced. Vintage planes suspended from the ceiling must certainly be an homage to Boeing, which helped create a strong middle glass for a major portion of the 20th century. Canoeing dates back to native american times, and is still practiced by many locals on the numerous waterways of Puget Sound. Cloudsandclunkers makes me think of native american basket weavers, Traveling Light makes me think of the logging industry, with it’s overlapping rings of sliced tree trunks, and Northwest Garnering looks like something you might see on the ocean floor. And as I suspected, its artist William Morris began his career at the Pilchuck Glass School and was head gaffer for Dale Chihuly, before studying in Italy with Venetian Masters. Seattleites are notoriously proud of their city, and their artisans.  Even though I’ve been in LA for over 20 years, I still enjoy the blown glass pieces I purchased from Seattle glass artist Phil O’Reilly in the late 80’s.

Next time you’re lucky enough to travel through the Seattle Tacoma airport, I hope you’ll take a little extra time to stroll down corridors that might be out of your way. You never know what hidden gem might be waiting for you.

 

Obama and the Tree of Knowledge

Obama painting under construction, Photo Romi Cortier
Obama painting under construction, Photo Romi Cortier
Obama under construction, Photo Romi Cortier
Obama painting under construction, Photo Romi Cortier
Obama under construction, Photo Romi Cortier
Obama painting under construction, Photo Romi Cortier
Obama under construction, Photo Romi Cortier
Obama painting under construction, Photo Romi Cortier
Obama painting under construction, Photo Romi Cortier
Obama painting under construction, Photo Romi Cortier
Obama and the Tree of Knowledge, Oil on Canvas, 30 x 40, Romi Cortier
Obama and the Tree of Knowledge, Oil on Canvas, 30 x 40, Romi Cortier

Obama and the Tree of Knowledge is a portrait that I painted to capture the religious fervor surrounding the election and inauguration of our first African American President.  Barack Obama, the 44th President of the United States, was sworn into office on January 20, 2009.  It took me approximately a year and a half to create this painting, which was completed, signed and dated on the day that Osama bin Laden was captured and executed.

This series of photographs show the steps that I took to create the painting.  My initial concept was to create an image of the President that might look as if he were standing in front of a gothic stained glass window. In my portraiture, I use the background to represent the emotional life of the sitter. Clearly the President didn’t sit for me, so I pieced together over half a dozen images from the web, and also hired a hand model to get the correct angle of his hand on the bible.

I started by doing an underdrawing for his face, hands, clothing  and the ornate corinthian column. The background was done free hand, with the exception of the paintings border. Using the Presidential Seal as my inspiration for his halo, I laid down red paint prior to using the gold leaf, which is traditionally done in religious paintings. Additionally, I chose the corinthian column because it’s the same type of column used for the white house. In the early stages of my painting, you’ll see cracks in the column, and my intention was to show that democracy might be crumbling under the weight of the religious right, ie, the literal bible. Ultimately I softened those cracks, and used red color on the right, and blue on the left to represent the red and blue states of our election process.

The Tree of Knowledge, the tree seen behind him,  refers to the Presidents high level of education, book smart, but not necessarily wise in the world of Washington politics. The large green tree is also a reference to a money tree, reflecting the soaring national debt that was happening at the time of his inauguration. As I mentioned earlier, I used the Presidential Seal as his halo. However, if you look closely, you’ll notice three black lines breaking up the circumference of the halo. Those lines are meant to infer crosshairs, as if he were being viewed through the telescope of a gun… because lets face it, as the first black President, Obama might also be a target to some.

As an artist I’m committed to painting the portrait of every future President. My first Presidential portrait was of George W. Bush, which can also be seen on my website. I look forward to sharing that portrait here in the near future, and also breaking down the symbolism in that painting.

Barbie by Artist Judy Ragagli

Barbie in Hollywood, Oil on Canvas, Artist Judy Ragagli
Barbie in Hollywood, Oil on Canvas, Artist Judy Ragagli
Barbie in Bora Bora, Oil on Canvas, Artist Judy Ragagli
Barbie in Bora Bora, Oil on Canvas, Artist Judy Ragagli
Barbie Silken Flame, Oil on Canvas, Artist Judy Ragagli
Barbie Silken Flame, Oil on Canvas, Artist Judy Ragagli
Flamenco Barbie, Oil on Canvas, Artist Judy Ragagli
Flamenco Barbie, Oil on Canvas, Artist Judy Ragagli
Barbie White Ginger, Oil on Canvas, Artist Judy Ragagli
Barbie White Ginger, Oil on Canvas, Artist Judy Ragagli
Barbie Magnificence, Oil on Canvas, Artist Judy Ragagli
Barbie Magnificence, Oil on Canvas, Artist Judy Ragagli
Barbie On the Avenue, Oil on Canvas, Artist Judy Ragagli
Barbie On the Avenue, Oil on Canvas, Artist Judy Ragagli

I first met Barbie artist Judy Ragagli at an art opening in Malibu over a decade ago. I’d been told about her about her gorgeous paintings by a client who insisted  that I attend the opening. Malibu is a long drive from Hollywood, but I was thrilled that I made the drive. I was stunned by the lifelike quality of Judy’s work, and because I’m also a painter, I immediately recognized her remarkable skill and talent. Judy told me that she was taught to paint by utilizing only 7 colors of paint, therefore, everything you see above is mixed from those colors. Many guests at the art opening thought they were viewing photographs, which happens frequently to Ms. Ragagli.

Judy has tremendous respect for Barbie’s legacy, and strives to honor the ever elegant nostalgic Barbie, with her demure sideways glance. This period in Barbies history takes us back nearly 55 years to her beginnings in the very late 50’s and early 60’s. Judy’s paintings conjure up the feeling of Camelot. Think Jacqueline Bouvier Kennedy with her sleeveless A-line dresses, above the elbow gloves and graceful necklines that actually leave something to the imagination.  Like our former first lady, Barbie is an icon that continues to endure. Can you believe over a BILLION  have been sold worldwide since 1959.  That’s a stunning achievement.

You can learn more about Judy’s work by visiting her website here or you can also follow here on facebook here.  There are Barbie pillows and other goodies available at Raymond Lawrence in Palm Springs or the Ritz Carlton in Rancho Mirage.  I’m happy to report that I’ve owned an original Judy Ragagli Barbie painting for nearly a decade, and I never grow tired of it. Judy created a custom piece for me, letting me choose the background color and well as the dress color. I’m not sure if she still does commissions. But it never hurts to ask.

 

Beverly Hills Art Show 2015

Blank Canvas aka Ode to Rothko, Oil on Canvas, McKenzie, Photo Romi Cortier
Blank Canvas aka Ode to Rothko, Oil on Canvas, McKenzie, Photo Romi Cortier
Wonder, Oil on Canvas, McKenzie Fisk, Photo Romi Cortier
Wonder, Oil on Canvas, McKenzie Fisk, Photo Romi Cortier
McKenzie Fisk, Oil on Canvas, Photo Romi Cortier
McKenzie Fisk, Oil on Canvas, Photo Romi Cortier
Brian Blackham, Oil on Canvas, Photo Romi Cortier
Brian Blackham, Oil on Canvas, Photo Romi Cortier
Brian Blackham, Oil on Canvas, Photo Romi Cortier
Brian Blackham, Oil on Canvas, Photo Romi Cortier
Taman Vanscoy, Watercolor,  Photo Romi Cortier
Taman Vanscoy, Watercolor, Photo Romi Cortier
Taman Vanscoy, Watercolor, Photo Romi Cortier
Taman Vanscoy, Watercolor, Photo Romi Cortier

I’ve been a fan of the Beverly Hills Art Show since the 1990’s when I bought my first monotype on paper, from artist Barbara Bouman Jay. Lets face it, nothing beats a stroll in the park while looking at original artwork created by artists who’ve gathered from all across the country.  Sure, some of the art is  better than others, but all in all it’s a grand experience  seeing  people mingling with their kids and pooches by the artists stalls, or sitting by the pond in front of the Beverly Hills sign while balancing food on their laps from the food trucks. It reminds me of Georges Seurat’s post impressionist painting Sunday Afternoon on the Island of LeGrand Jatte.

Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte
Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte to favor paintings

I tend to favor paintings over sculpture or blown glass, and the artists whose work I’ve chosen to feature above are my 3 top picks.

Artist McKenzie Fisk nabbed my attention with her geometric animals that feel like something Francoise Gilot might have created. I also love her use of wide open negative space that gives the viewer room to contemplate her subjects.

Artist Brian Blackham from Utah uses a palette knife, a paint brush, or both, to layer on sublime muted tones for his romantic still life paintings that capture the ephemeral nature of light.

Artist Taman Vanscoy uses watercolor covered in acrylic varnish, to create luscious works that feel like something out of the impressionist period. Judging by the second place ribbon at his stall, it appears that the critics also favored his work.

The Beverly Hills Art Show is a juried show that happens twice a year: one weekend in the spring, and one weekend in the fall. If you’d like to learn about future events, or how to submit your work, please follow this link: Beverly Hills Art Show

Follow the links below to learn more about each of the artists.

McKenzie Fisk

Brian Blackham

Taman Vanscoy

Faves From the upcoming Los Angeles Modern Auctions

Lari Pittman, This Landscape, Beloved and Despised, Continues Regardless, LAMA, Lot 283
Lari Pittman, This Landscape, Beloved and Despised, Continues Regardless, Color LIthograph on Paper, Los Angeles Modern Auctions, Lot 283, $2,000 – 3,000
Ed Moses, Cock Bak, LAMA, Lot 23
Ed Moses, Cock Bak, Asphaltum and Acrylic on Washi paper, Los Angeles Modern Auctions, Lot 23, $2,000 – 3,000
Karl Benjamin, #117, LAMA, Lot 198
Karl Benjamin, #117, Oil o Canvas, Los Angeles Modern Auctions, Lot 198, $15,000 – 20,000
Higgins, LAMA, Lot 30
Michael & Frances Higgins, Rondelay Screen,  Los Angeles Modern Auctions,  Lot 30, $2,500 – 3,500
June Harwood, Untitled, LAMA, Lot 200
June Harwood, Untitled, Acrylic on Canvas,  Los Angeles Modern Auctions, Lot 200, $5,000 – 7,000
Tony Duquette, Six Panel Screen, LAMA, Lot 47
Tony Duquette, Six Panel Screen, Los Angeles Modern Auctions, Lot 47,  $12,000 – 15,000
Alexander Calder, Quatre Blancs, LAMA, Lot 167
Alexander Calder, Quatre Blancs, Sheet Metal Wire and Paint, Los Angeles Modern Auctions, Lot 167,  $500,000 – 700,000

Los Angeles Modern Auctions (LAMA) is one of my favorite auction houses here in Los Angeles. Their upcoming auction on Sunday May 17th, 2015, is going to be a spectacular event. It includes everything from mid-century furniture, to sculpture, to painting. The gorgeous Alexander Calder Mobile shown above is listed for $500,000 – 700,000… wouldn’t you just love to be a fly on the wall and watch the heated bidding for this item! I was fortunate enough to be in the room once when a Frank Lloyd Wright chair was being auctioned off, and watched the bidding go to over $90,000. That was nearly 15 years ago before much of the bidding was done online. You were either in the room, or on the phone for privacy sake. It was beyond exhilarating and you could cut the tension in the room with a knife. With buyers premiums and taxes that $90,000 chair would have totaled up to at least $108,000 or more… for a chair! Would you let your guests sit on that chair when they come to your home, or would you put it on a pedestal and rope it off like a museum? I will admit that I have a fancy auction house chair that I won’t let anyone sit on at my house, but it’s not worth anything close to that. I have a few friends who can’t understand why I’d spend that much on a chair that no one can sit on… because it’s ART!

If you’re a collector ‘wanna be’ and don’t have the money for these kinds of purchases, I’d at least recommend going to one of the previews at LAMA and seeing their items in person. It doesn’t cost a thing to look, and the same goes for sitting in the room while the auction happens. If nothing else, it might be a very enlightening experience and you might also make a few really cool friends…. friends who might invite you over to sit on their fancy auction house chair once they’ve won that sought after lot.

View the entire online catalogue here.