Category Archives: Decorative Arts

Courtyard Murals of Hollywood’s Egyptian Theater

Egyptian Theaters Ticket Office, Hollywood, Photo Romi Cortier
Egyptian Theaters Ticket Office, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Mural at Hollywood's Egyptian Theater, Photo Romi Cortier
Egyptian Theater Mural, Hollywood,  Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural, Hollywood, Photo Romi Cortier
Egyptian Theater Mural with Pharaohonic head detail, Hollywood, Photo Romi Cortier

Have you ever seen the Courtyard Murals of Hollywood’s Egyptian Theater? They’re pretty amazing and worth a visit.

Grauman’s Egyptian Theater (yes the same guy who built Hollywood’s Chinese Theater) opened in 1922   just 2 weeks before the discovery of King Tut’s Tomb.  The original theater plans called for a Spanish Decor,  with an Oriental influence, which proved to costly to build. So the developer turned to something less expensive that also capitalized on the euphoria surrounding the multiple expeditions searching for Tut’s Tomb.

As many of you know, Egyptophilia is a term used to describe the obsession or fascination with all things Egyptian. Structures built in the Egyptian style are referred to as Egyptian Revival. However, because of the association with Art Deco, many Egyptian structures are also referred to as Art Deco.  The ziggurat, or terraced steps of the pyramidal structure, also influenced skyscraper designs in the 1920’s. The stair step feature allowed for less canyonization of the streets below, by allowing more light onto the street. That concept has all but disappeared in high rise construction today, however, that design element is also referred to as an Art Deco defining feature.

Other design features that I’d like to point out in the images above, include the zig-zag patterns on the wall mounted light fixtures, as well as the trapezoid shape of the ticket office windows,  waterfall and wooden door. Zig zag patterning is a hallmark of art deco, and is often referred to as zig-zag moderne and can be seen on several building facades on Hollywood boulevard.  It exemplified the exuberance of the jazz-age 20’s prior to the stock market crash of ’29. After that, art deco styles shifted to streamline moderne, with low slung horizontal lines… sometimes referred to as depression era deco.

During the 80’s and 90’s Hollywood was suffering an economic decline.  The theater fell into disrepair and was given to the American Cinematheque in 1996 for $1, yes one dollar, with the provision that the landmark building be restored  to its original grandeur and re-open as a movie theater. The theater reopened on December 4, 1998 after a $12.8 million renovation. One of the benefits of that restoration, was the completion of the large scale mural (2nd from the bottom), that had never been completed. All of these murals are inspired by actual Egyptian gods, pharaohs and hieroglyphs. They’re not simply made up for the sake of entertainment.

During my recent visit to the Egyptian Theater to take these photos, I was saddened at how few tourists actually noticed the building or stopped for photos. Hollywood boulevard was crammed with hot sweaty people checking out the trashy stores and the stars embedded in the sidewalk, but the Egyptians courtyard was empty.  Therefore, I feel like there’s a missed opportunity with this wide open courtyard, that is sadly starting to look very shoddy. (I will admit I did a little photoshopping to clean up my images for this post). What about a relaxing garden cafe or seating area attached to the Pig & Whistle next door? Or the restoration of the water fountain with a some public seating areas and a  few tall Palm Trees as one vintage post card shows?  So much could still be done to capitalize on the history of this grand movie theater that predates the Chinese Theater just down the street, and bring in more tourism. Maybe that’s not the objective of the American Cinematheque. I will say that I’m very grateful that the murals have not been graffiti tagged and are in such excellent shape.

Stay tuned for my next blog post, which will include an Egyptian Revival home in the Hollywood Hills. It’s one of Hollywoods best kept secrets and is currently for sale.

If you’d like to read more about this theater, the Coincidental Dandy has an extraordinary blog post from 2011 that’s truly informative.

ALESSI is Artful Luxury for Daily Living

Alessi, Photo Romi Cortier
Citrus Basket by Mario Trimarchi for Alessi, Photo Romi Cortier
Alessi, Photo Romi Cortier
Anna G. Bottle Openers by Alessandro Mendini for Alessi, Photo Romi Cortier
Teapot by Michael Graves, Alessi, Photo Romi Cortier
Teapot by Michael Graves for  Alessi, Photo Romi Cortier
Alessi, Photo Romi Cortier
Assorted Fruit Holders by Pierre Charpin for Alessi, Photo Romi Cortier
Alessi, Photo Romi Cortier
Les Ministries, Stand/centre-piece by Phillippe  Starck for Alessi, Photo Romi Cortier
Alessi, Photo Romi Cortier
Queens Guard Bottle Opener (Left) and  additional Bottle Openers by Alessandro Mendini for Alessi, Photo Romi Cortier
Alessi, Photo Romi Cortier
Ottagonale Teapot Set by Carlo Alessi, 1935,  Photo Romi Cortier
Alessi, Photo Romi Cortier
Cactus Citrus Basket by LPWK  – Marta Sansoni for Alessi, Photo Romi Cortier
Alessi, Photo Romi Cortier
Basket Assortment: Girotondo by King-Kong for Alessi, Photo Romi Cortier

 

I’ve been a fan of Alessi and their Artful Luxury for Daily Living since the 1980’s.  Why? Because lets be honest, the Italians do it best when it comes to high quality design. They’re always on the forefront of cutting edge design,  from exquisite furniture to expensive sports cars, setting the trend for others to follow. Lamborghini, Ferrari, Maserati, you’ve heard of those cars, right? And what about the  furniture of  Roche Bobois,  B&B Italia and Kartell… Italian is synonyms with passion.

Alessi began almost 100 years ago in 1921 when Giovanni Alessi, along with his brother,  founded FAO.  Giovanni’s eldest son Carlo joined the already highly regarded company in 1932. From the mid 1930’s to 1945, Carlo designed the majority of their collections.  In 1970 the founders grandson Alberto  joined the company and laid the foundation for ‘Alessi’ as we know it today, becoming one of the ‘Factories of Italian Design’.

So why is all of this history important? Because this is part of what you’re paying for when you purchase one of their products. I began collecting their  pieces over 25 years ago in the post-modern era of the 1980’s. My pieces still look as amazing today as the day I bought them,  which is why I’m such a huge fan of their work. They were ahead of there time then, therefore, they never look dated. Simple. Stunning. Modern.  And to keep their company on the forefront of design, they partner with established  designers and architects from around the world to create new artful fashion forward lines. There’s an old saying, you get what you pay for, and nothing could be truer when it comes to Alessi. They’re not a company of knock-offs, they’re the real deal, setting the bar for others to reach.

As some of you know, I’m a relatively new blogger.  Therefore, I was a bit apprehensive about walking into their store  unannounced at 313 N. Robertson with hopes of taking photos. Fortunately, the staff their was very cool and very kind and let me have at it with my little iphone. While I have some established favorites, it was very exciting to see some of their new merchandise. I’d rather have fewer things of high quality, than lots of cheap stuff. In a world where less is more… I can never have to much Alessi. To quote Arnold… I’ll be back. 

 

 

 

The Gilded Monuments of Paris

Courtyard at Palace of Versailles, Photo T. Zeleny
Cour d’honneur, Palace of Versailles,  Photo T. Zeleny
Palace of Versailles, Court Yard Detail, Photo Romi Cortier
The Mask of Apollo Clock, Palace of Versailles,  Photo Romi Cortier
Les Invalides, Paris,  Photo Romi Cortier
Les Invalides, Paris, Photo Romi Cortier
Paris, Photo Romi Cortier
Pont Alexandre III, Bridge Detail:Pegasus Being Led by Fame, Paris, Photo Romi Cortier
Paris Opera House Detail, Photo Romi Cortier
Paris Opera House Gilded Detail La Poesie (Poetry) , (Charles Gumery)  Photo Romi Cortier
Paris, Bridge Detail, Photo Romi Cortier
Pont Alexandre III, Bridge Detail: Pegasus Held by the Fame of Combat, Paris, Photo Romi Cortier
Palace of Versailles, Gate Detail, Photo Romi Cortier
Royal Gate, Palace of Versailles,  Photo Romi Cortier

The Gilded Monuments of Paris are easy to see while visiting the City of Lights, however, finding their proper names is a far more difficult task. It’s taken several hours of research to find the proper names for these exquisite works of art, that I so easily photographed while visiting in 2011. The good news is what I’ve learned while doing research.

The Royal Gate, which stands at the entrance to the cour d’honneur at Versailles, was replaced in 2008.  At a price of 4 million British Pounds (about 7 million US Dollars), this replica took two years to recreate.  Weighing 15-tons, it  took a plethora of historians and top craftsmen to recreate Jules Hardouin-Mansarts original masterpiece from 1680 that was destroyed during the French Revolution.

Louis XIV (the 14th) who resided at the Palace of Versailles, was known as the Sun King. If you’ll take a closer look at the clock presiding over the cour d’ honneur, you’ll notice what looks like a face, framed by the sun. This was a reference to Louis XIV. Known as the Mask of Apollo, this clock marked the rhythm of the time with 3 bells that weighed from 209 pounds to over 2500 pounds. The bronze and embossed copper were regilded in 1999, with a newly approved ‘Royal Blue’ background approved by Versailles archives.

Les Invalides, officially known as L ‘Hotel national des Invalides (The National Residence of the Invalids) contains museums and monuments relating to the military history of France. The most famous detail about this building is who’s buried there.  Napoleon Bonaparte,  known as Napoleon I, was the Emperor of the French from 1804-14, and again in 1815. Napoleon died 6 years later of ‘stomach cancer’ while in exile.  In 1840 his remains were moved to Les Invalides and encased in a tomb sculpted from blocks of red quartzite, in an open rotunda about 2 stories below street level. Therefore, when you walk into Les Invalides and look down over the railing… you’re quite literally bowing down to Napoleon in death.

The Palais Garnier, or Paris Opera House, was built by Charles Garnier during the Second Empire (1861-75). World famous for it’s opulence, this monumental structure is considered ‘typical’ Beaux-Arts. The gilded figure La Poesie (Poetry) sits atop the right Pavillion of the Opera House, and is matched by L’Harmonie (Harmony) on the  left. Both are made of gilt copper electrotype.

And lastly, those gorgeous gilded statues known as “Fames” on  Pont Alexandre III.  Besides looking stunning, they’re very important stabilizing counterweights that support the bridges arch, without interfering with the views. There’s a total of 4, one for each corner, and they sit atop massive masonry socles. Watch the video below to learn more about this elegant bridge.

 

Gates in the Hollywood Hills

Gate with 4 Diamonds, Photo Romi Cortier
Gate with 4 Diamonds, Photo Romi Cortier
South Western Styled Gate, Photo Romi Cortier
South Western Styled Gate, Photo Romi Cortier
Palm Tree Gate, Photo Romi Cortier
Palm Tree Gate, Photo Romi Cortier
Claridge Gate, Photo Romi Cortier
Claridge Gate, Photo Romi Cortier
Rotunda Gate, Photo Romi Cortier
Rotunda Gate, Photo Romi Cortier


Photographing Gates in the Hollywood Hills was a passion of mine in the mid 1990’s.  I lived in the Los Feliz section of the Hollywood Hills  when I first moved to Los Angeles.  I was so enamored  by the gorgeous gates I’d see on  my evening walks,  that I thought I’d try photographing them with an old canon camera I got from my sister. One after another, my collection grew. Then I thought, why not publish a book?

As I talked to people about my idea, the reasons for NOT publishing a book were many: you need the home owners permission, you need the architects permission, you need the designers permission, coffee table books don’t make money anymore, they no longer make black and white film,  everything is digital now.  The list goes on, and the photographs get older.   But what I find fascinating is that every time I pull these images out and look at them, they’re still exciting. There’s also something very refreshing about seeing these images in Black and White. It reminds me of Hollywoods Golden Era when things were more glamorous and less pedestrian.

I’ve heard rumors over the years about what celebrity might live behind which gate, but that’s irrelevant to me.  What’s more interesting is Los Angeles’s culture of the gate. It’s like a calling card for the home, possibly indicating what you might find on the inside. Yet they always achieve the same thing, keeping unwanted guests out  and giving homes perched on the edge of a cliff a modicum of privacy. I’ve shared a few of my favorites here, and I hope you enjoy them. If by chance you’re reading this, and one of these belongs to you and I’ve broken some law or crossed the line, please let me know. Otherwise I invite you to enjoy the beauty of these ‘total works of art’.  Bravo to these amazing designers and architects.

Art Deco Metal Works of the Waldorf Astoria

Art Deco Mailbox at the Waldorf Astoria, Photo Romi Cortier
Art Deco Mailbox at the Waldorf Astoria, Photo Romi Cortier
Elevator Doors at the Waldorf Astoria, Photo Romi Cortier
Elevator Doors at the Waldorf Astoria, Photo Romi Cortier
Waldorf Astoria Seating Area, Photo Romi Cortier
Waldorf Astoria Seating Area, Photo Romi Cortier
Waldorf Astoria Vent Register, Photo Romi Cortier
Waldorf Astoria Vent Register, Photo Romi Cortier
Waldorf Astoria Stairwell, Photo Romi Cortier
Waldorf Astoria Stairwell, Photo Romi Cortier

Art Deco is alive and well at the Waldorf Astoria. Over 80 years have passed since she was built in 1931 by Schultze and Weaver, and she’s still the jewel of the City. I had the distinct pleasure of staying there this spring (thank you American Express Rewards) and I wasn’t disappointed. Since my first visit to her lobby in the early 1980’s, I’ve been wowed by her glamour and sophistication. Judging by the amount of tourists taking selfies in her lobby, I’m not the only one.

As a guest of the hotel, I took the opportunity to wander her halls and corridors, examining every detail.  I was wowed at every turn. She is indeed a total work of art. Vent registers, handrails, elevator doors, mailboxes, the list goes on, it’s craftsmanship at its finest. It’s no surprise that Cole Porter lived there for 25 years… I would too. And with the private driveway underneath the hotel, I can see why every president stays there, secret service must love it. In fact, I was a spectacular way to exit my 4 day stay at the hotel, in chauffeured town car wearing my biggest sunglasses (yes it was actually sunny). If only someone would have alerted the paparazzi… oh, that’s right, I’m not famous. But I sure felt like it while staying at the Waldorf Astoria.