Antigone – Video Installation by Mark Boulos at LAXART Gallery

ANTIGONE - Video Installation by Mark Bouos, Photo Romi Cortier
ANTIGONE – Video Installation by Mark Bouos, Photo Romi Cortier
ANTIGONE - Video Installation by Mark Boulos, Photo Romi Cortier
ANTIGONE – Video Installation by Mark Boulos, Photo Romi Cortier
ANTIGONE - Video Installation by Mark Boulos, with Actress Catherine Carlen, Photo Romi Cortier
ANTIGONE – Video Installation by Mark Boulos, with Actress Catherine Carlen, Photo Romi Cortier
ANTIGONE - Video Installation by Mark Boulos, Photo Romi Cortier
ANTIGONE – Video Installation by Mark Boulos, Photo Romi Cortier
Actress Catherine Carlen and Romi Cortier taking a selfie inside Mark Boulos's Video Installaion - ANTIGONE.
Actress Catherine Carlen and Romi Cortier taking a selfie inside Mark Boulos’s Video Installaion – ANTIGONE.
Actress Julie Janney, Filmmaker Mark Boulos, Actress Catherine Carlen, and Actress Elayn Taylor
ANTIGONE: Actress Julie Janney, Filmmaker Mark Boulos, Actress Catherine Carlen, and Actress Elayn Taylor

I was completely enthralled by ANTIGONE at LAXART Gallery, the latest Video Installation by Mark Boulos.

Actress Catherine Carlen was recently referred to me by longtime client and friend Actress Sharon Lawrence. The two met while working on the short film The Bridge Partner,  which just wrapped production. Sharon kindly gave out my information, as she’s done countless times before, to Catherine who was looking for someone to reshape her hair. While in the chair, Carlen invited me to attend the premiere of Antigone, a new Video Installation by Mark Boulos.

The Culver City ArtWalk was packed with Angelenos out enjoying the warm September evening. I managed to slip into a few of my favorite galleries along the way, namely GEORGE BILLIS  and FRESH PAINT,  before entering the LAXART gallery. Catherine had given me a brief synopsis of what to expect, however, this premiere was also her first time seeing the completed Video Installation. I was transfixed by the three floating screens that could be viewed from both sides, which also gave us the opportunity to take a few selfies and art photos of our own.  The installation was edited together in a way that would give the performers the illusion of literally watching each other. One actress spoke candidly from her own experience as the two on the screens beside her reenacted her words. The objective was to muddle the line between enacted performances and documentary accounts, as the three performers spoke in unison. The process of getting to the finished piece took considerable work. The women worked off and on for several months exploring truth in method acting. They each shared personal stories, and were then asked to memorize the words of the other women and relive her experience, all of which was done on film. It takes a great leap of faith for a performer to allow themselves to be this raw in front of a camera and then trust the filmmaker to create a finished product that would stand on its own. It’s truly a collaborative project, and I applaud all of this fine women for fearlessly marching into the fire for the sake of making art.  Produced by Matthew Schum, Antigone will travel to Amsterdam, England, Geneva, Singapore and Tanzania.

Runs through October 18, 2014 at LAXART Gallery, 2640 S. La Cienega Blvd, Los Angeles, CA 90034

Clip from ANTIGONE

CatherineCarlen.com

 

Church Spires in Los Angeles

Church, Los Angeles, Photo Romi Cortier
Church Spire on Olympic Boulevard,  Los Angeles, Photo Romi Cortier
Church, Los Angeles, Photo Romi Cortrier
Church Spire, Wilshire Boulevard, Los Angeles, Photo Romi Cortier
Church, Los Angeles, Photo Romi Cortier
Church Spire, Sunset Boulevard, Los Angeles, Photo Romi Cortier
Church, Los Angeles, Photo Romi Cortier
Church Spire, Third Street, Los Angeles, Photo Romi Cortier
Church, Los Angeles, Photo Romi Cortier
Church Spire, Gower Avenue,  Los Angeles, Photo Romi Cortier
Church, Los Angeles, Photo Romi Cortier
Church Spire, Sunset Boulevard, Los Angeles, Photo Romi Cortier

Los Angeles has some spectacular Church Spires, which is remarkable since we’re often referred to as Sin City.  But in a city with over 2,000 churches, we can’t all be bad, can we?  Maybe that’s why we’re also known as the City of Angels. Clearly, church and community have been very important to Angelenos over the decades. Why else would so much time, effort and money have gone into creating such total works of art.

A Spire etymologically is derived from the Old English word spir, meaning sprout, shoot, or stalk of grass. Symbolically they have two functions: to proclaim marital power, (reminiscent of the spear point it gives the impression of strength) and to reach towards the skies. The celestial and hopeful gesture of the spire is one reason for its association with religious buildings. It’s not just a symbol of piety, but is often seen as a symbol of the wealth and prestige of the order, or patron who commissioned the building.

The movie Stigmata has always been one of my favorite films. IMDB lists it as Horror/Thriller, however, I think it’s quite remarkable in it’s message. Basically the film has 3 scholarly priests, located in 3 regions of the world,  each deciphering a portion of a long lost document, believed to be the actual word  of Christ. Never allowed to share their findings with each other, the Church swears them to secrecy. Alas, Patricia Arquette begins to channel the findings of one priest via his rosary beads, a gift from her eccentric mother purchased at a Sau Paulo street fair. By the end of the film we learn the simple premise: Break open a stone, and I am there. Cut open a piece of wood, and I am there. God is everywhere, therefore, we don’t really need the church. Suffice it to say, I’m not a terribly religious guy. That said, I’ve never felt closer to god than when sitting in front of the Rose Window at Notre Dame in Paris. The craftsmanship of that structure, which took centuries to build, does exactly what it’s meant to do.  With it’s massive stained glass windows and soaring cathedral ceilings, it inspires one to look upwards towards the heavens in complete aw.

So, as you’re stuck in LA traffic, honking your horn and waiting impatiently, take a moment to look to the tops of some the buildings around you, or on the horizon… you must just be surprised at what you see.

 

 

 

Romi Cortier Design’s Traveling Tote Bag

Romi Cortier Design Tote at the Coliseum, Italy.
Romi Cortier Design Tote at the Coliseum, Italy.
RCD Tote on Roman Door, Rome
RCD Tote on Roman Door, Rome
RCD Tote, Venice Canal, Venice
RCD Tote, Venice Canal, Venice
RCD Tote in Grand Central Station, New York City
RCD Tote in Grand Central Station, New York City
Romi Cortier Design Tote Bag, Venice
RCD Tote,  Venice
RCD Tote, Pike Place Market, Seattle Wa.
RCD Tote, Pike Place Market, Seattle Wa.
RCD Tote, Washington State Ferry
RCD Tote, Washington State Ferry
RCD Tote, Stratosphere, Las Vegas
RCD Tote, Stratosphere, Las Vegas

Romi Cortier Design’s Traveling Tote Bag seems to be the hottest travel item seen around the world this summer. From Rome, to Venice, To Vegas, to Seattle and Manhattan… it’s everywhere!

It truly helps to have world class clients traveling the globe with their reusable RCD Tote bag. Honestly, I was just joking when I asked one of my clients to take a snap shot with the tote bag while vacationing in Europe… little did I know it would become the dedicated subject of several of their vacation images. Now I’m on a quest, to have the tote bag photographed in front of every major monument around the globe.  I mean really, what better way to accessorize the Eiffel Tower, the Statue of Liberty, or the Taj Mahal, then with one of our totes… and as you can see from the photos above, we don’t have that image yet. So please feel free to email us your favorite vacation image with our tote, so we can proudly add it to future posts.

A year ago September we were discussing what direction to take the RCD Brand, from web site development, to the creation of a new logo, to the remodeling of the salons interior and exterior. Thanks to the hard work and creative inspiration of Steven James Scott and Adeye Sahran, what we developed far surpassed my expectations. I feel like the team  gave me a greater vision of myself, a vision that nudged me to step up my game and reach just a little bit higher. Today the new logo is on all of our social media icons, business cards tailored to each stylist, two separate RCD tote bags,  our new awning, as well as a color version of the logo designed exclusively  for the salon entry door.

What does 2015 hold? Well, we just got in several sample T-Shirts with the logo that look pretty amazing.  I’d also love to develop a signature candle as well as hair care and body care products. I’m a huge fan of the French Parfumerie Fragonard, and two of their scents that truly inspire me are Suivez-Moi, and Desert. Smokey and Sultry,  with an undertone of sweetness. Subtle. Sophisticated. Understated. The way a fragrance should be experienced.  The video below will take you on a little tour of their Perfumery Factory and Museum in Grasse France.

 

Las Vegas’s Vintage Neon Signs

Vintage Neon Cowboy, Las Vegas, Photo Romi Cortier
Vintage Neon Cowboy, Las Vegas, Photo Romi Cortier
Vintage Neon Horse, Las Vegas, Photo Romi Cortier
Vintage Neon Horse, Las Vegas, Photo Romi Cortier
Vintage Neon Glitter Gulch Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Glitter Gulch Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Griffin Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Griffin Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Showgirl Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Showgirl Sign, Las Vegas, Photo Romi Cortier
Vintage Martini Neon Sign, Las Vegas, Photo Romi Cortier
Vintage Martini Neon Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Swimmer Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Swimmer Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Starburst Sign, Las Vegas, Photo Romi Cortier
Vintage Neon Starburst Sign, Las Vegas, Photo Romi Cortier

I love Las Vegas’s Vintage Neon Signs. They’re one of my favorite attractions in old downtown Las Vegas, which is located at the north end  of the strip on Fremont Street.  If you haven’t already been there, you must add it to your ‘to do’ list next time you’re in town. The scale of this area is much more human than the strip, with it’s mega casinos and hoards of tourists 20 deep on the streets. Don’t get me wrong, it’s still packed on Friday and Saturday nights with plenty of freaky folks to rival those on LA’s  Hollywood Boulevard. But there’s something old world and nostalgic about this area that keeps me coming back.

Named for John Charles Fremont,  it  dates back to 1905 when Vegas was founded, and became the city’s first paved road in 1925. Gambling was legalized in 1931 even though it was established well before then. The western end of Fremont Street was quite literally the picture of Las Vegas that was included in virtually every tv show and movie displaying the lights of Vegas…  think Elvis Presley in Viva Las Vegas 1964, or James Bond‘s Diamonds are Forever in 1971.

The road  to Glitter Gulch was closed to traffic in 1994, and the city embarked on construction of the Fremont Street Experience,  designed exclusively for  pedestrians. Imagine a metal canopy built 90 feet above the street that’s 90 feet wide and over  1500 feet long (4 blocks). Known as the Viva Vision Screen, it’s made up of 12.5 million LED lamps with a 550,000-watt sound system and plays 6 minute shows every hour beginning at dusk till 1:00 am. Recent expansion to the east, known as Fremont Street Experience East, features more of the refurbished vintage neon I’ve posted above and leads to several urban nightclubs.

If all of this isn’t enough to get you to old downtown Las Vegas, then go for the deep fried Twinkies and Oreos served at Mermaids Bar and Casino… that’s right, I loves me some junk food! Go big or go home. Honestly, it’s the first stop I make when I head to Vegas. However, it’s quite rich, so you might want to share an order with a special someone. But get there before midnight, because as I recently found out, that’s when they quit serving it.  I was ecstatic to get the very last order when I stopped in there a couple of weeks ago… and the twenty people behind me in line were groaning pretty loudly.   And let me tell you, there was a guy hovering near my table as he ‘waited for his wife’ who was using the restroom. He was eyeing the goods… but I wasn’t sharing. No way no how.

 

 

 

John Lautner’s Harpel House Restored

John Lautner's Harpel Residence, Photo Romi Cortier
Harpel House by John Lautner,  Photo Romi Cortier
Harpel Residence by John Lautner, Photo Romi Cortier
Harpel House by John Lautner, Photo Romi Cortier
Harpel Residence by John Lautner, Photo Romi Cortier
Harpel House by John Lautner, Photo Romi Cortier
Harpel Residence by John Lautner, Photo Romi Cortier
Harpel House  by John Lautner, Photo Romi Cortier
John Lautners 1956 Harpel House, Photo Romi Cortier
Harpel House by John Lautner, Photo Romi Cortier
Harpel Residence by John Lautner, Photo Romi Cortier
Harpel House  by John Lautner, Photo Romi Cortier
Harpel Residence by John Lautner, Photo Romi Cortier
Harpel House  by John Lautner, Photo Romi Cortier

John Lautner’s  1956 Harpel House may sit in the shadow of Chemosphere, his famous flying saucer home, but it’s a shining gem in its own right.

I visited this home in 2008 as part of the MAK Center tour, organized in conjunction with the Hammer Museum‘s John Lautner exhibit Between Earth and Heaven.  This home was on the tour because  recent renovations by Mark Haddawy had restored the home to its original design.  Lets call it a ‘make under’ because that’s exactly what it was. Haddawy  removed  a second story addition,  stucco walls,  aluminum window frames, track lighting and a myriad of other ‘improvements’ by previous owners who thought they were modernizing and improving the mid-century  home. Haddawy spent two years removing those improvements and then recreated Lautner’s door knobs, light fixtures and other details,  returning the home to the architects original vision. His passion as a preservationist has given great hope and pride to architectural enthusiasts, and shows what’s possible at a time when  many of these homes are on the brink of being bulldozed.

Thanks to Haddawy’s restoration, I was able to observe Lautner’s  use of a ‘radial’ support system for the roof.  While homes like Silver Top (lower level) and the Harvey Residence feature a single central support pillar with beams radiating out, this home features multiple concrete pillars with beams radiating out, ultimately creating a zig zag pattern. This remarkable construction  gives  more flexibility to the placement of walls both inside and out. Thus the exterior walls are no longer ‘load bearing’. This is what allows the hallway to exist on the outer perimeter of the homes north side,  joining the bedrooms with the main living area. It also allows for the creation of the homes hexagonal living room.  You’ll also notice in the photos that the stone flooring in the living room is continued out onto the patio by the pool. This helps  blend the indoors with the out doors because there’s no threshold line with contrasting materials on either side. Thus, stone gives way to stone, versus hardwood floors against concrete or tile. Additionally, the stones are irregularly shaped, as is the pool,  which again adds to the visual continuity of the homes overall design. Ultimately, this groundbreaking design serves a larger purpose, which is to maximize the stunning views of the San Fernando Valley. It’s to bad we weren’t allowed to bring our swimming suits on the home tour, because I would have loved nothing more then to run and jump on that amazing diving board, and canon ball into the pool.

 

 

A Design Diary by Romi Cortier