Art Deco Metal Works of the Waldorf Astoria

Art Deco Mailbox at the Waldorf Astoria, Photo Romi Cortier
Art Deco Mailbox at the Waldorf Astoria, Photo Romi Cortier
Elevator Doors at the Waldorf Astoria, Photo Romi Cortier
Elevator Doors at the Waldorf Astoria, Photo Romi Cortier
Waldorf Astoria Seating Area, Photo Romi Cortier
Waldorf Astoria Seating Area, Photo Romi Cortier
Waldorf Astoria Vent Register, Photo Romi Cortier
Waldorf Astoria Vent Register, Photo Romi Cortier
Waldorf Astoria Stairwell, Photo Romi Cortier
Waldorf Astoria Stairwell, Photo Romi Cortier

Art Deco is alive and well at the Waldorf Astoria. Over 80 years have passed since she was built in 1931 by Schultze and Weaver, and she’s still the jewel of the City. I had the distinct pleasure of staying there this spring (thank you American Express Rewards) and I wasn’t disappointed. Since my first visit to her lobby in the early 1980’s, I’ve been wowed by her glamour and sophistication. Judging by the amount of tourists taking selfies in her lobby, I’m not the only one.

As a guest of the hotel, I took the opportunity to wander her halls and corridors, examining every detail.  I was wowed at every turn. She is indeed a total work of art. Vent registers, handrails, elevator doors, mailboxes, the list goes on, it’s craftsmanship at its finest. It’s no surprise that Cole Porter lived there for 25 years… I would too. And with the private driveway underneath the hotel, I can see why every president stays there, secret service must love it. In fact, I was a spectacular way to exit my 4 day stay at the hotel, in chauffeured town car wearing my biggest sunglasses (yes it was actually sunny). If only someone would have alerted the paparazzi… oh, that’s right, I’m not famous. But I sure felt like it while staying at the Waldorf Astoria.

 

A Fundraiser at the Kaufman House

Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Courtyard, Photo Romi Cortier
Kaufman House, Courtyard, Photo Romi Cortier
Filmmaker Eric Bricker at the Kaufman House
Filmmaker Eric Bricker at the Kaufman House

In 2008 or 09,  there was a major Fundraiser at the Kaufman House in Palm Springs, to help raise funds for Eric Bricker’s  documentary film Visual Acoustics.  Apparently I was the last person in town to hear about it until about 24 hours before the event… and of course it was sold out. But that didn’t stop me.  A friend and I kept calling and hounding the people in charge, begging for a $100 ticket. Gaining access to the Kaufman House was extremely rare, and I knew this would be my one shot, and so worth the price of admission.

I left LA after work on saturday making the mad dash to the desert for the evening event, with dress clothes in tow. I got word en route that yes, they’d let us in. However, there were a few stipulations. No photographs in the home, nor from the end of the pool facing the mountains. That vantage point was sacred as Julius Shulman had shot his iconic image of the home from there in 1947. But that didn’t stop me from setting my little camera on the cocktail table and snapping a couple shots when no one was looking, thus the image at the top of the page.

I spent most of the evening on the upper level where I shot the images above. It was a tranquil summer night with a beautiful moon and no wind. It was the epitome of what desert modernism was about, indoor and outdoor spaces that effortlessly flow into one another. The home was built by Richard Neutra in 1946, and has remained a classic. In fact, it’s considered one of the most important houses of the 20th Century, along with Fallingwater, Robie House, Gropius House and the Gamble House.

Mr. Julius Shulman was in attendance, and despite being wheelchair bound, was having the time of his life. He was holding court in the new Marmol Radzner Pool House (built to enjoy the view his photo had made so famous) surrounded by beautiful women.  Eric Bricker’s documentary was putting the man behind the camera front and center, celebrating his life’s work… he was indeed a rockstar.

 

Butterflies in New York

Lord & Taylor Window Display New York 2014, Photo Romi Cortier
Lord & Taylor Window Display New York 2014, Photo Romi Cortier
Butterfly Window Display, New York 2014, Photo Romi Cortier
Butterfly Window Display, New York 2014, Photo Romi Cortier
Butterfly Perfume Bottles, Viktor & Rolf, New York 2014, Photo Romi Cortier
Butterfly Perfume Bottles, Viktor & Rolf, New York 2014, Photo Romi Cortier

Butterflies were every where on my recent visit to New York.  From Lord & Taylor to Bergdorf Goodman, window displays up and down 5th Avenue were taking flight in celebration of springs arrival.

Lord & Taylor, proud sponsors of The Butterfly Conservatory at the American Museum of Natural History, made a simple black and white ensemble take flight by painting a black and white striped butterfly behind their mannequin.  Was all of this inspired by the recent documentary Flight of the Butterflies... I don’t know. But one thing is for sure, the butterfly seems to becoming a part of our 21st century vocabulary. Maybe the butterfly is to the Millennials what the dragonfly was to the Art Nouveau period, a source of beauty that returned us to nature during a period of great technological advancement. It’s a trend that I’m enjoying, and its even inspired my own artistic process.  If you haven’t already seen it, check out my DIY video where I show you how to  create a Butterfly Mural on Youtube using traditional house paint.

Italian Futurism at the Guggenheim Museum

Tulio Crali, Before the Parachute Opens, 1939, Courtesy Guggenheim Museum
Tulio Crali, Before the Parachute Opens, 1939, Photo courtesy Guggenheim Museum
Ivo Pannaggi, Speeding Train, 1922, Photo courtesy Guggenheim Museum
Ivo Pannaggi, Speeding Train, 1922, Photo courtesy Guggenheim Museum
Benedetta Cappa Marinetti, Speeding Motorboat, 1923-24, Photo courtesy Guggenheim Museum
Benedetta Cappa Marinetti, Speeding Motorboat, 1923-24, Photo courtesy Guggenheim Museum

This spring I attended the Italian Futurism exhibit at the GuggenheimMuseum in New York. I’d read about the exhibit in October 2013, and added it to my ‘must do’ list, even if that meant sofa surfing at a friends apartment. Fortunately, that wasn’t necessary. As I understand it, this exhibit is the first survey of this period in the United States, which makes it ground breaking in and of itself.  The easiest way to describe this movement would be to call it  Italian Art Deco, however, the Italian Futurism period dates from 1909 – 1944 and includes other elements. “Their style evolved from fractured elements in the 1910’s  to a mechanical language in the 20’s, and then to aerial imagery in the 30’s”.

I’ve chosen the images above because like Art Deco, there was a fascination and celebration of speed, including planes, trains and automobiles. The image of the train above is more cubist in nature, which was the basis for Art Deco. Before the Parachute Opens was one of my favorite paintings in the entire exhibit. Large in scale, it was the first time I’d seen a painting from this perspective and seemed to exemplify what the exhibit was about. No photography was allowed beyond the signage in the lobby, therefore, I’ve used these images from the Guggenheim web site.

Exhibit closes September 1, 2014

 

Nudes by Phil Bower

Nudes (Couple in Forrest) 2013,  Photo Romi Cortier
Nudes (Couple in Forrest) 2013, Photo Romi Cortier
Nude (Man Kneeling on Towel) 2014, Photo Romi Cortier
Nude (Man Kneeling on Towel) 2014, Photo Romi Cortier
Nude (Woman at Shore) 2014, Photo Romi Cortier
Nude (Woman at Shore) 2014, Photo Romi Cortier

These exquisite  Nudes by Phil Bower on view at the Samuel Freeman Gallery were a remarkable discovery during the Culver City Summer Solstice ArtWalk. I’d seen the latter image, Nude (Woman at Shore) online, but wasn’t prepared for how remarkable she’d be in person. The paintings are billed as photorealism, however, they’re far beyond that in person. In my opinion these paintings are a new form of Impressionism. When viewed up close the images become almost pixelated and difficult to understand… step back about 5 feet, and Voila! Your eye connects the dots and builds the image for you. Bower’s use of color is a true gift, especially when combined with his glazing technique. His images are culled from websites broadcasting voyeur videos from around the world. He then takes a frame grab and works from the low resolution images. While it may sound a bit creepy, these ‘models’ have been captured in a moment of being pure, honest, and completely uninhibited. Standing in front of Nude (Woman at Shore) was like being transported back to the Musee d’ Orsay in front of Alexandre Cabanel’s The Birth of Venus… it took every ounce of restraint to not reach out and touch her life like flesh.

Exhibit closes July 5th, 2014.

A Design Diary by Romi Cortier