Tag Archives: Architecture

New York’s Renovated St. Patrick’s Cathedral

 

St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier
St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier
St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier
St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier
St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier
St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier
St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier
St. Patrick's Cathedral, NYC, Photo Romi Cortier
St. Patrick’s Cathedral, NYC, Photo Romi Cortier

When I walked into the renovated St. Patrick’s Cathedral in New York this last October, I felt like I was walking into Notre Dame in Paris. It’s not surprising that I felt that way, because St. Patrick’s is 24 feet taller. Her glorious vaulted ceilings, made from lumber and plaster, have been painted to look like stone blocks with sepia-toned mortar between them. Combine that with soaring stained glass windows, which were recently cleaned and repaired by Botti Studio, and you have a breathtaking experience. To protect the windows for future generations, a protective glazing was added to the exterior of the windows. To prevent condensation build-up which might cause damage to the windows over time, pieces of stained glass in each window were opened inward ever so slightly  to increase air circulation.

The structure itself is 19th Century Gothic Revival Architecture, dating to 1879, whereas Notre Dame is French Gothic Architecture, and dates to 1163. The Gothic Period traditionally dates from the 12th century to the 16th century, whereas the Gothic Revival Period is a mid 19th century period from about 1830 – 1860.

The $177 million renovations were complete several months ahead of time to prepare for Pope Francis’s visit in September of 2015. It was pure luck that I planned my visit to New York in early October as part of a siblings get-away weekend to celebrate my sister’s 50th birthday. We left no stone unturned during our 4 day extravaganza, including a walk across the Brooklyn Bridge, an afternoon at Coney Island, lunch at the Boat House on Central Park, seeing Wicked at the Gershwin Theater, a visit to Tiffany’s, and lots and lots of window shopping for fun photos, which I’ll be sharing on my blog over the coming weeks.

While I’m not a religious guy, I still marvel at the ingenuity of Cathedrals and their ability to make us feel closer to god, or at least closer to our creative source.  Creativity and breathing go hand in hand for myself and many of my friends.  Our creative inspiration made into reality is the completion of a dream.  My chosen mantra for 2016: Make more of your dreams come true.

Learn more about the Cathedral HERE

 

 

Gore Vidal’s Hollywood Hills Estate Listed for Sale

Gore Vidal Living Room on the evening of his memorial. Photo Romi Cortier
Gore Vidal Living Room and Ceiling Mural on the Evening of his Memorial. Photo Romi Cortier
Gore Vidal Dining Room on the Evening of his Memorial. Photo Romi Cortier
Gore Vidal Dining Room on the Evening of his Memorial. Photo Romi Cortier
Gore Vidal Dining Room on the Evening of his Memorial. Photo Romi Cortier
Gore Vidal Dining Room on the Evening of his Memorial. Photo Romi Cortier
Gore Vidal Door Detail of Dining Room, Evening of his memorial. Photo Romi Cortier
Gore Vidal Door Detail of Dining Room, Evening of his Memorial. Photo Romi Cortier
Gore Vidal 2nd story Stain Glass Window on the Evening of his Memorial. Photo Romi Cortier
Gore Vidal 2nd story Stain Glass Window on the Evening of his Memorial. Photo Romi Cortier
Gore Vidal Dining Room Chair from the Set of Ben Hur Photo Romi Cortier
Gore Vidal Dining Room Chair from the Set of Ben-Hur.  Photo Romi Cortier
Gore Vidal Memorial at his Hollywood Hills Home, Photo Romi Cortier
Gore Vidal Memorial at his Hollywood Hills Home, Photo Romi Cortier

Gore Vidal’s Hollywood Hills Estate just hit the market for $5,695,000. Clearly the above photos are not from the MLS, but rather photos I took on my iphone while attending Gore’s memorial service at the home a couple of years ago. I never intended to share these photos, but now that the home has hit the market, I find it fascinating to see the current incarnation of the home. I will also say that I felt very lucky to be invited to the memorial, even though I never had the pleasure of meeting him.

Each piece of furniture had a story, like the chair shown above from the set of Ben Hur. The walls previously soft yellow, cast a yellow glow in each of my photos, nearly impossible to color correct. From what his family members told me, that’s the way everyones photos in the house turned out. Now, the home has been white washed to look clean and modern. All of the furniture has been put into storage, for possible auction at a later time, and the home beautifully staged. I recently renovated a property in Palm Springs, and did the same thing with my rental property there, going from soft white to Ultra Pure White. It’s clean. It’s fresh. And it’s blank canvas for anyone coming in who might want to put their own stamp on the home.

This Mediterranean villa was built in 1929 and measures in at 4,782 square feet, with five bedrooms and four bathrooms, as well as a self contained guest house. Original architectural details include terra-cotta floor tiles, hand-carved fireplaces, scrolled wrought iron accents and thick plaster walls. The two story foyer features an exposed beam ceiling, a paneled library with glass fronted bookcases as well as a separate den with floor-to-ceiling bookshelves. Up on the hillside behind the garage and guesthouse, is a secluded swimming pool surrounded with trees.

Gore Vidal Residence, courtesy MLS
Gore Vidal Residence, courtesy MLS
Gore Vidal Residence, courtesy MLS
Gore Vidal Residence, courtesy MLS
Gore Vidal Residence, courtesy MLS
Gore Vidal Residence, courtesy MLS

The home is quite extraordinary, and loaded with history. I hope the next occupants of the home will embrace its richness, and not erase it, as so often happens in Los Angeles.

Learn more here

The Road to Kelso

Mojave National Preserve, Photo Romi Cortier
Mojave National Preserve, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier
Kelso, California, Photo Romi Cortier

The Road to Kelso will take you through the heart of the Mojave National Preserve. It’s a long road… a very very long road. For me it was a sort of shortcut from Las Vegas to Palm Springs. Normally it would be faster to take the 15 south to the 210 east, but with the recent fire in the Cajon Pass, traffic was heavy due to reduced lanes. So why not venture off onto the road less traveled.

I’d taken this road about a decade ago, and the stillness of that drive still haunted me. Even now, cell reception is spotty, signage is minimal, and one can easily drive 15 – 20 minutes without seeing another car. I found myself eerily aware of the sun as it began to dip below the ridge of the mountains, watching the shadows stretch across the 2 lane highway. Where’s the moon? There’s not going to be any light soon… no billboards, no streetlights, no store fronts…. just me and the little stars in the sky. I could easily disappear out here, and no one would ever know… it’s that Children of the Corn kinda feeling. I knew from my iphone navigation that if I made it to Kelso, I’d be half way through the Mojave Preserve. As you can tell from my photos, I made it just in time to snap a few sweet images before the sun finally disappeared.  It’s remarkable how much beauty can be found in this decaying ghost  town.

I made it out of the Mojave just after sunset, passing under Interstate 40, continuing onto Twenty-Nine Palms. All in all it was nearly 3 hours of driving with no amenities. Therefore, if you’re making this drive, be sure and fill up your gas tank and stock up on munchies and water.  I was never so happy to see a 7 Eleven as I was on this night. I pulled in for some snacks and overheard the clerk behind the counter giving a couple of guys directions. She told them to be careful because it was very very dark where they were headed. Where they going I asked.  Vegas she replied. Oh yeah, I just came from there, that’s some drive. Yeah, she said. I wouldn’t make it at this time of night. It’s just to scary, says the woman covered from head to toe in tattoos with orange and red contact lenses… you know, the kind of woman who might have a pentagram somewhere in her home. It made me wonder what kind of stories she’s heard about the long, long, dark road to Vegas.

Kelso, California

I Love The New Petersen Automotive Museum

Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier
Petersen Automotive Museum, Los Angeles, Photo Romi Cortier

I’m having so much fun watching the development of the Petersen Automotive Museum in LA’s Miracle Mile. Some of my friends have said, the 90’s called and want their architecture back, or it’s fugly. I however, disagree. I used to live just a few blocks from the museum, and had no idea it even existed. With this new skin, there will be no denying the museums existence.

One of the main arguments I’ve heard levied against this proposed building over the years is: It’s not Art Deco. And the Miracle Mile is about preserving it’s Deco roots. Well, wander down to La Brea and Wilshire and you’ll see how miserably the monstrosity on the southeast corner failed to meet the design standards of Neo- Deco.  I’ve written about it previously, and it’s no secret that BRE Properties Essex apartment building is a major design flop. Everyone had to have a say in it’s development that it got so watered down, with no clear vision or point of view. It lacks innovation and is an architectural mish-mash that’s so pedestrian and communal, that it leaves nothing to aspire to. I call it communal architecture, and I don’t mean that kindly.

Art Deco can be defined in many ways: rich colors, bold geometric shapes, lavish ornamentation, an embrace of technology, machine age  imagery, the luxury ocean liner and the skyscraper, the fantasy world of Hollywood, a new modernism, a silhouette that’s more horizontal than vertical…  a celebration of speed and joyous movement, particularly in regards to planes, trains and automobiles. Doesn’t the structure above meet those definitions in a new and modern way? True, there’s no zig-zag patterns or geometric motifs, but this building certainly looks like a joyous celebration of movement. One of the initial descriptions I read about this building described it as the flames on a 50’s hot-rod, but I think it goes much much deeper. It’s visceral, it’s powerful, and it’s undeniably bold. Yes, maybe it looks a bit like a Diet-Coke can, but I guarantee you there’s no way that you can drive by it and not notice it. If you’re a tourist visiting LA, you’re going to be asking: what’s that? I think ultimately it will be recognized as one of LA’s most outstanding buildings, much like Frank Gehry’s Disney Concert Hall. Love it or hate, you’ll know it’s there. And to quote Glenn Close in Fatal Attraction… I won’t be ignored. So says the new building on the corner of Wilshire and Fairfax.

Petersen.org 

War remnants at Manchester State Park

Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Mining Casement, Manchester State Park, Washington, Photo Romi Cortier
Battery Mitchell, Manchester State Park, Washington, Photo Romi Cortier
Battery Mitchell, Manchester State Park, Washington, Photo Romi Cortier
Battery Mitchell, Manchester State Park, Washington, Photo Romi Cortier
Battery Mitchell, Manchester State Park, Washington, Photo Romi Cortier
Battery Mitchell, Manchester State Park, Washington, Photo Romi Cortier
Battery Mitchell, Manchester State Park, Washington, Photo Romi Cortier

War remnants, abandoned for over 100 years, make for a surprisingly peaceful park setting at the Manchester State Park. These buildings are also located near the torpedo store house that I wrote about earlier.

Battery Mitchell, shown above, was named for Lieutenant Robert B. Mitchell, who’d given honorable service during the Philippine-American War that ended in 1902. The Battery was built to help protect Rich Passage, but was never utilized. Therefore, the rapid fire guns were never installed. The staircases lead down to ammunition storage rooms call ‘magazines’, and there are two lower rooms called ‘bombproofs’.  When I first caught a glimpse of it, I thought it looked  like an abandoned Mayan Temple with its great maze of concrete steps.

The building seen above Battery Mitchell is a Mining Casement. It was built as a command post for the operation of the Middle Point fortification between 1900 and 1910. It included an Engine Room, Battery Storage, an Operations Room and a Dormitory. What I love about this building is how thick the concrete walls are. They must be nearly 18 inches thick. And the way time has weathered them with moss and rust is really amazing. When standing inside of it, it feels oddly tranquil. There’s a coolness to the air, and it’s remarkably quiet.  The starkness of the concrete against the lushness of the park creates  a vibe that’s oddly romantic. It would make such a great getaway cabin.

I love that these abandoned buildings are so well cared for, ie, no graffiti. The locals and tourists who come to visit the park seem to respect them and enjoy them for their simple beauty. And like I mentioned previously, they’re a great location for weddings, photo shoots and other events. Click here for more info.