Tag Archives: Architecture

Outside Frank Lloyd Wright’s Storer House

Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier

I stood outside Frank Lloyd Wright’s Storer House to take these photos, because the driveway gate was open due to construction further up the hill. It took every ounce of restraint not to walk up the stairs and and peer into the windows… as other Instagramers so brazenly did when I searched the hash tag Storer House on Instagram. Don’t get me wrong, I was tempted, but there are No Trespassing signs for good reason. This is a private residence, one of only four in a series of concrete textile-block homes built by Wright in Los Angeles. I’m sure if I owned this home, I’d get tired of the tourists and architectural stalkers scaling my walls for a look around. But as you can see, it’s impossible to take a bad photo of this house with its stunning Mayan Revival style .

I’ve been aware of this house for over 20 years, and even though I live just up the hill from it, it’s on a road that I rarely drive. Therefore, I hadn’t seen it in over a decade. What’s remarkable to me, is how much the foliage has grown up around it, and how much more wear some of the concrete blocks have suffered. When film producer Joel Silver owned the home in the mid-80’s, he spared no expense restoring it, which included replacing many of the concrete textile blocks made using the soil from the backyard,  mixed with cement to conform to Wright’s concept of organic architecture.  According to a Curbed LA article in February of this year, the home recently sold to a preservation minded buyer for what is expected to be a record price for a Wright House, possibly just shy of $7 Million.  It’s so exciting that Angelenos see value in preserving and restoring these historic treasures.

Built in 1923 for Dr. John Storer, Frank Lloyd Wright used the textile-block motif to fit the home into the hillside, creating the impression that the home was a man made extension of the landscape. The home was added to the National Register of Historic Places in 1971 and designated as a Historic-Cultural Landmark (#96) in 1972 by the Los Angeles Cultural Heritage Commission. This home is considered to be one of Wright’s great masterpieces… so I guess that explains all the Archi-Stalkers.

The Deco Building at 5209 Wilshire Blvd

The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd, Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd, Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier

 

The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier

The Deco Building in Los Angeles’s Miracle Mile is one of only three black and gold terra cotta buildings built in the City of Angels. Of the three, this is in the most pristine shape. As I wrote in my previous post, the one in Korea Town on 3rd and Western is horribly run down, and the Richfield Oil Building was destroyed, or rather replaced,  in 1969. Built by Morgan, Walls and Clements in 1929, this building was known as Security First National Bank until 1970. Afterwards it was used as a restaurant/nightclub, and then later as a Christian Center. It’s currently a short and long term creative office space that is also available for special events.

I’ve driven by this building for years, and would sometimes just stop and peer in the windows late at night… you know, as an architectural stalker. The spectacular Zig-Zag Modern Deco details are so hard not to notice when you’re whizzing by. So, once again on one of these nights a few years ago, when there was a for sale sign on the building, I made another stop. I was a little shocked to meet the new owner of the building who’d just closed escrow on it. I was happy for him, but very sad for me, (not that I could have afforded the building) but because  it would have made the most brilliant hair salon. The new owner was so cool, and invited me to come inside. He happily threw on the lights and gave me a tour. I was speechless and like a kid in a candy store as I walked through this luscious and sacred art deco interior.

Last week I decided to do another drive by and take a few exterior shots for my previous blog post, and voila! There he was again, the owner. Even though he was busy loading up his truck, he told me to go inside and look around. I mentioned that we’d met before, and he seemed to remember. This time I took full advantage of his offer, climbing the stairs to the second floor, snapping away with my iphone. He came in and once again turned on the lights for me and let me take as many photos as I wanted. Notice that gorgeous glass ceiling? That’s not one solid piece of glass, but rather individual pieces. I guess that makes sense to minimize potential damage, but the owner said it’s a massive job when it’s time to clean it. He also mentioned that he’s had a lot of interest from foreign investors who’d like to buy the building, not because they love the architecture, but because they want the valuable land. I’m so glad the owner is a much of a purist as I am, and sees the value in maintaining such remarkable craftsmanship.  Its been lovingly restored, and I’m so thankful to the owner for his passion and his kindness.

If you’re ever interested in renting this space, please go to www.TheDecoBuilding.com  or call 310.804.8651. 

Black & Gold Art Deco in Los Angeles

Black & Gold Art Deco at 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
The Deco Building, 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 5209 Wilshire Blvd., Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 3rd & Western, Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 3rd & Western, Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 3rd & Western, Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 3rd & Western, Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 3rd & Western, Los Angeles, Photo Romi Cortier
Black & Gold Art Deco at 3rd & Western, Los Angeles, Photo Romi Cortier
Richfield Oil Building 1943, Los Angeles, Destroyed.
Richfield Oil Building 1943, Los Angeles, Destroyed.
Richfield Oil Building, Los Angeles, Destroyed 1968
Richfield Oil Building, Los Angeles, Destroyed 1968

If you’ve been around Los Angeles for awhile, then you may recognize these Black & Gold Art Deco buildings. The first one located at 5209 Wilshire is in pristine shape. The second one, located in Korea Town on the corner of 3rd and Western, is horribly run down and in desperate need of some TLC. The latter one, The Richfield Oil Building, has been gone for nearly 50 years.

What I find so thrilling about these buildings is the sexy combination of  black terra cotta tile with real gold leaf trim. Besides being highly ornamental, these materials have proven to be very durable, which is  why they’ve held up so well for over 80 years. Because of the rarity of their design, they truly stand out in our ever changing urban jungle. The Deco Building in the Miracle Mile is happily in an area of town where art deco is valued and is also the design standard for new buildings being constructed.  There’s a beauty to the simplicity of the clean lines and the continuity of the  elegant materials.

When developing new buildings in an area such as LA’s Miracle Mile, every effort is made to ensure that new construction is complimentary to the existing art deco vibe of the neighborhood. Sometimes it works beautifully, as in the case of 5550 Wilshire.  This newer project is an exercise in restrained elegance (this photo doesn’t do it justice). Tone on tone color values combined with strong horizontal lines similar to the Streamline Moderne era, helped this mixed use building feel as if it has been around for years.

5550 Wilshire Blvd., Los Angeles
5550 Wilshire Blvd., Los Angeles

However, sometimes the newer buildings don’t quite hit the mark, which was the case in the mixed use building at the corner of La Brea and Wilshire. Curbed LA referred to it as possibly LA’s most hated building  (click here to read the article). The initial drawings for the complex weren’t that bad, however, every time they went for a revision to appease the city planning department or the neighborhood council, it got worse and worse. I couldn’t find the original drawing online that I actually liked, but I did find the one below.  It isn’t entirely bad, even though it has no resemblance to anything art deco. I think they were trying to invoke the feeling of the May Co. Building down the street at Fairfax and Wilshire with the orange flanked spire.

Illustration for Bre Properties at Wilshire and La Brea
Illustration for Bre Properties at Wilshire and La Brea

Sadly, this is what the final building ended up looking like.

Wilshire & La Brea Mixed use building.
Wilshire & La Brea Mixed use building.

If we could start by simply white washing the entire building and then making the wanna be spire black, it would be so much better. It appears the developers tried to make it uber urban with layers and layers of colors and materials, hoping we’d believe it evolved over time… major fail. This trend thats been happening for the last decade is so over, not to mention that the fact that it already looks terribly dated. If you thought the post modern architecture of the 80’s was bad, just wait and see how this wears on you. Architecture by committee, at least this committee, reminds me of failed movie making where everyone wants to take credit and have their two cents worth. In the end, no clear vision prevails, and we’re stuck with a $100 million dollar flop and wasted natural resources.

Therefore, I wear blinders when I drive by some of these newer buildings, and take great delight in feasting on these little gems that have survived for nearly a century. My next blog post will take you inside the Black & Gold building being branded as The Deco Building at 5209 Wilshire Blvd.

Lyndon Baines Johnson Presidential Library

Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier
Lyndon Baines Johnson Presidential Library, Austin, Texas, Photo Romi Cortier

I love the Great Hall of the Lyndon Baines Johnson Presidential Library. It’s ceremonial staircase ascends into a four-story glass encased view of the archives collection, which emanates a lustrous red glow throughout the entire space. Mirroring the archives on the opposite wall is a nearly four-story Presidential Seal, beautifully etched into the travertine wall. The feeling of the overall space is both elegant and restrained. Another design feature that I love are the photographic Presidential portraits lining the walls, with their respective first ladies beneath them. If you look closely at the photo below, they’ve left space for the next President on the far right. I’m wondering what the protocol will be in the event the Hillary Rodham-Clinton is elected our next President… will they place former President Bill Clinton beneath her portrait? I guess time will tell.

LBJ Presidential Portraits, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
LBJ Presidential Portraits, LBJ Presidential Library, Austin, Texas, Photo Romi Cortier

The monolithic ten-story LBJ Presidential Library and Museum was completed in 1971 by architect Gordon Bunshaft of Skidmore, Owings, and Merrill. This is one of 13 Presidential Libraries administered by the National Archives and Records Administration… that’s two down and 11 to go! I know it sounds kinda nerdy, but there’s something so rewarding about walking through these time capsules that include tv-shows and other elements of the era, to help add perspective to the time in which the Presidents governed.

This particular library tours starts with a very poignant look at the events that thrust LBJ into the Presidential seat… the assassination of President John F. Kennedy. The photo below shows then Vice President Lyndon Johnson and Lady Bird Johnson comforting First Lady Jacqueline Kennedy aboard Air Force One after the assassination.

Lady Bird Johnson, Lyndon Johnson and Jacqueline Kennedy aboard Air Force One.
Lady Bird Johnson, Lyndon Johnson and Jacqueline Kennedy aboard Air Force One.

Additionally, the LBJ Presidential Library has rotating exhibits. I feel fortunate to have been there on one of the last days of the Selma Exhibit: March to Freedom.  The exhibit featured photos by renowned civil rights photographer James ‘Spider’ Martin as well as select photos from the April 2014 Civil Rights Summit at the LBJ Presidential Library.

March to Freedom, Selma exhibit at LBJ Presidential Library, Austin, Texas, Photo Romi Cortier
March to Freedom, Selma exhibit at LBJ Presidential Library, Austin, Texas, Photo Romi Cortier

Earlier this year I attended a Los Angeles exhibition at the Fahey/Klein Gallery titled March to Freedom that also focused on the 50 year anniversary of the march to Selma. It included the photos of Stephen Somerstein, Flip Shculke, and Steve Schapiro. Happily photographers Steve Schapiro and Stephen Somerstein were able to attend the opening night gala. It’s so hard to believe that these gentlemen witnessed that remarkable journey, and I feel so honored to have met both of them.  Little did I know at the time of this exhibit that I’d also be seeing the exhibit at LBJ… maybe there’s an order to the cosmos that remains unseen.

Romi Cortier with renowned Photographer Steve Schapiro, Fahey/Klein Gallery opening night 'March to Freedom'
Romi Cortier with renowned Photographer Steve Schapiro, Fahey/Klein Gallery opening night ‘March to Freedom’
Photographer Stephen Somerstein, Fahey/Klein Gallery, March to Freedom Exhibit.
Photographer Stephen Somerstein, Fahey/Klein Gallery, March to Freedom Exhibit.
Photographer Flip Shculke, Fahey/Klein Gallery, March to Freedom Exhibit
Photographer Flip Shculke, Fahey/Klein Gallery, March to Freedom Exhibit
Photographer Steve Schapiro, Fahey/Klein Gallery, March to Freedom Exhibit
Photographer Steve Schapiro, Fahey/Klein Gallery, March to Freedom Exhibit

Learn more about the Lyndon Baines Johnson Presidential Library Here.

The State Capitol Building in Austin Texas

Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier

 

Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier

 

Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier
Capitol Building, Austin, Texas, Photo Romi Cortier

Stepping inside the State Capitol Building in Austin Texas is a little bit like stepping inside a massive tiered wedding cake. Layer upon layer of symmetrical white geometric patterns, defined by crisp gold lines with a splash of Tiffany Blue at the top.  Architects refer to this  classical architecture as Italian Renaissance Revival, an all-encompassing designation that covers many  19th century architectural revival styles. The idea behind classical architecture is to bring greater ‘order’ to architecture, resulting in strong symmetry and careful proportions, which grew out of scientific observations of nature and human anatomy.

Built in 1888, this is the third building to serve as Texas’s state capitol.  The previous one built in 1853 on the same site, was destroyed by the great capitol fire of 1881. The unusual color of the exterior is due to the fact that the structure is covered in sunset red granite. The original building material was to be hill country limestone, however, the high iron content of the limestone led to rapid discoloration with rust stains. Good thing they figured that out before they built it, or it would have been a disaster of ‘Monumental’ proportions.

If you’re visiting Austin, or Waterloo as it used to be called, a trip to the state capitol is fairly easy. Sure, you’ll need to go through some metal detectors, but it’s not nearly as bad as the ones at the airport. I guarantee you’ll love standing in the heart of the rotunda on its terrazzo floor, looking up towards the lone star of Texas at the top of the dome. There’s nothing more rewarding than experiencing good architecture, and Austin’s Capitol Building is one of those grand experiences you won’t want to miss.