Tag Archives: Art

Portraits of the Fallen Memorial at the Richard Nixon Presidential Library and Museum

PORTRAITS of the FALLEN MEMORIAL, Photo Romi Cortier
PORTRAITS of the FALLEN MEMORIAL, Photo Romi Cortier
Romi Cortier at Portraits of the Fallen Memorial, Photo Curator Sherry Moore
Romi Cortier at Portraits of the Fallen Memorial, Photo Curator Sherry Moore
PORTRAITS of the FALLEN MEMORIAL, Photo Romi Cortier
PORTRAITS of the FALLEN MEMORIAL, Photo Romi Cortier
PORTRAITS of the FALLEN MEMORIAL, Photo Romi Cortier
PORTRAITS of the FALLEN MEMORIAL, Left to Right: Louis J. Langlais-Artist Seda Baghdasarian, Andrew R. Tobin-Artist Allise Pelham, Tyler N. Holtz – Artist Dennis Carrie, Carlo F. Eugenio-Artist Elizabeth McGhee, Christoper G. Singer-Artist T. Berg Kvitky
PORTRAITS of the FALLEN MEMORIAL, Photo Romi Cortier
PORTRAITS of the FALLEN MEMORIAL, Left to Right: Jose Casanova-Artist Elizabeth B. Tucker, Christopher G. Nason-Artist Romi Cortier, Justin W. Pollard-Artist Kent Twitchell, Michael A. DiRamondo-Artist Christina Ramos

PORTRAITS of the FALLEN MEMORIAL at the Richard Nixon Library  and Museum closes this Sunday July 6th.

Three years ago curator Sherry Moore contacted me to participate in this amazing project to commemorate and remember our fallen soldiers from the Iraq  or Afghanistan War.  This project is near and dear to Sherry’s heart, as she too is a veteran. There are 158 portraits of the California fallen completed to date, with an ultimate goal to depict each of the over 6,500 fallen U.S. heroes.  This exhibit demonstrates the importance of serving our country, but is also a reminder of the sacrifices of our fallen heroes and the impact their service has had upon their families and communities.

My contribution to this memorial project was the portrait of Christopher G. Nason, bottom photo, second from the left. My research indicated that Mr. Nason had a tremendous affect on those he came in contact with, leaving them with a big smile. Therefore, I chose brightly colored stars for his background, to imbue his patriotism with his lively spirit. I also used gold leaf on the sides of the 5×5 painting to create a little extra glow around him.

I myself am from a long line of military personnel, however, I knew the military experience wasn’t for me. Both my birth father and step father served in the military, and I have a nephew currently serving as an officer, as well as a nephew-in-law serving.  Therefore, giving back in this very small yet personal way by painting Christopher G. Nason, was the very least that I could do. Having suffered a tremendous loss myself this year, brings home to me the very painful reality of losing anyone we love, whether it be a parent,  a child or a significant other… loss is loss. I wish I’d started my blog sooner to get the word out during the beginning of this very  important and touching exhibit. However, If you aren’t able to see it before it closes, I’m confident there will be other opportunities to view it here in southern California.

www.PortraitsoftheFallenMemorial.org or on Facebook

 

Furniture from the Mondrian / De Stijl exhibit at the Pompidou Center

Gerrit Reitveld Table, Pompidou Center 2011, Photo Romi Cortier
Gerrit Reitveld Table, Pompidou Center 2011, Photo Romi Cortier
Gerrit Reitveld Chair, Pompidou Center, 2011, Photo Romi Cortier
Gerrit Reitveld Chair, Pompidou Center, 2011, Photo Romi Cortier
Theo Vn Doesburg, Cornelis Van Eesteren
Theo Vn Doesburg, Cornelis Van Eesteren, Building Model, Photo Romi Cortier

In early 2011, I made a mad dash to Paris for a four day weekend to see the Mondrian / De Stijl exhibit at the Pompidou Center. Decadent yes, but it was a must see event for an art history geek like myself.  De  Stijl, Dutch for ‘The Style‘ was a movement from 1917 – 1928 that sought to wipe out all historical references in art, architecture and furniture, creating a new design vocabulary for the 20th Century.

Painter Piet Mondrian and furniture designer/architect  Gerrit Rietveld are the two most famous people from this period. Their works were the subject of this monumental exhibit at the Pompidou Center, an exhibit that had a strict policy against photography with guards in every room chasing down anyone with a camera. How did I get these shots you ask… not easy. (lets hope they don’t find my blog) It was so exciting to get to see these works in person, although I almost didn’t make it to the exhibit entrance. Do you see the little glass tube at the top of the Pompidou Center, 6 stories up, not a good thing for a guy with a fear of heights. When the elevator doors opened, I almost fainted. Complete strangers in the elevator grabbed my arms, told me to close my eyes, and then walked me to the entrance of the exhibit. So worth the trauma!

It was exciting to see the evolution of Mondrian’s paintings from the cubist inspired ‘The Still Life with Ginger Pot II‘ to his starker images that we’re all so familiar with, such as ‘Composition with red blue and yellow’ 1930.  Many people associate this ‘look’ with the 1960’s or 1970’s thanks to the Partridge Family Bus from the television series ‘The Partridge Family. However, it all started about 50 years earlier.

 

The Evolution of Artist Alberto Murillo

Alaberto Murillo, 'Nassau, 50 x 40, (private collection)
Alaberto Murillo, ‘Nassau, 50 x 40, Acrylic/Resin on Board (private collection)
Alberto Murillo, 'Taormina', 50 x 40, Acrylic/Resin on Board
Alberto Murillo, ‘Taormina’, 50 x 40, Acrylic/Resin on Board, Image courtesy JoAnne Artman Gallery
Alberto Murillo, 'Chanel No. 5', 30x40, Acrylic/Resin on Board
Alberto Murillo, ‘Chanel No. 5’, 30×40, Acrylic/Resin on Board, Image Courtesy JoAnne Artman Gallery

It’s been very exciting to observe the Evolution of Artist Alberto Murillo during the last couple of years. I fist became of aware of his work at the JoAnne Artman Gallery in Laguna Beach. I’d wandered into her gallery after  having lunch with a friend, and she greeted us with such enthusiasm.  New to the neighborhood in 2008, her gallery is part of ‘Gallery Row’ at 326 North Coast Highway. She gladly gave us a tour and began educating us about her roster of artists.

At that time, Alberto’s work was very horizontal, or vertical depending on how you hung it, with thin lines of acrylic/resin on board. I thought it was unique, but it didn’t resonate with me. Cut to a gallery opening a year later with pieces like ‘Nassau‘ and ‘Taormina‘ and I was very intrigued. Murillo explained that he’d observed the resin on the floor after creating the vertical pieces and loved how the colors over lapped and melded together. He refers to this as his ‘Therapy Series‘ that helped pull him out of a very dark place.  The latest twist to his work is sandblasting away part of the resin to create an image, such as ‘Chanel No. 5′. Matte against shiny. It’s absolutely stunning in person. If it’s good enough for the Givenchy Family in NYC, then it’s good enough for me… adding it to my ‘must have’ list.

 

Butterflies in New York

Lord & Taylor Window Display New York 2014, Photo Romi Cortier
Lord & Taylor Window Display New York 2014, Photo Romi Cortier
Butterfly Window Display, New York 2014, Photo Romi Cortier
Butterfly Window Display, New York 2014, Photo Romi Cortier
Butterfly Perfume Bottles, Viktor & Rolf, New York 2014, Photo Romi Cortier
Butterfly Perfume Bottles, Viktor & Rolf, New York 2014, Photo Romi Cortier

Butterflies were every where on my recent visit to New York.  From Lord & Taylor to Bergdorf Goodman, window displays up and down 5th Avenue were taking flight in celebration of springs arrival.

Lord & Taylor, proud sponsors of The Butterfly Conservatory at the American Museum of Natural History, made a simple black and white ensemble take flight by painting a black and white striped butterfly behind their mannequin.  Was all of this inspired by the recent documentary Flight of the Butterflies... I don’t know. But one thing is for sure, the butterfly seems to becoming a part of our 21st century vocabulary. Maybe the butterfly is to the Millennials what the dragonfly was to the Art Nouveau period, a source of beauty that returned us to nature during a period of great technological advancement. It’s a trend that I’m enjoying, and its even inspired my own artistic process.  If you haven’t already seen it, check out my DIY video where I show you how to  create a Butterfly Mural on Youtube using traditional house paint.

Italian Futurism at the Guggenheim Museum

Tulio Crali, Before the Parachute Opens, 1939, Courtesy Guggenheim Museum
Tulio Crali, Before the Parachute Opens, 1939, Photo courtesy Guggenheim Museum
Ivo Pannaggi, Speeding Train, 1922, Photo courtesy Guggenheim Museum
Ivo Pannaggi, Speeding Train, 1922, Photo courtesy Guggenheim Museum
Benedetta Cappa Marinetti, Speeding Motorboat, 1923-24, Photo courtesy Guggenheim Museum
Benedetta Cappa Marinetti, Speeding Motorboat, 1923-24, Photo courtesy Guggenheim Museum

This spring I attended the Italian Futurism exhibit at the GuggenheimMuseum in New York. I’d read about the exhibit in October 2013, and added it to my ‘must do’ list, even if that meant sofa surfing at a friends apartment. Fortunately, that wasn’t necessary. As I understand it, this exhibit is the first survey of this period in the United States, which makes it ground breaking in and of itself.  The easiest way to describe this movement would be to call it  Italian Art Deco, however, the Italian Futurism period dates from 1909 – 1944 and includes other elements. “Their style evolved from fractured elements in the 1910’s  to a mechanical language in the 20’s, and then to aerial imagery in the 30’s”.

I’ve chosen the images above because like Art Deco, there was a fascination and celebration of speed, including planes, trains and automobiles. The image of the train above is more cubist in nature, which was the basis for Art Deco. Before the Parachute Opens was one of my favorite paintings in the entire exhibit. Large in scale, it was the first time I’d seen a painting from this perspective and seemed to exemplify what the exhibit was about. No photography was allowed beyond the signage in the lobby, therefore, I’ve used these images from the Guggenheim web site.

Exhibit closes September 1, 2014