Tag Archives: Mid-Century

Art

Pool time in Palm springs

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Pink Striped Towel, Photo Romi Cortier
Pink Striped Towel, Photo Romi Cortier

 

Towel in Water, Photo Romi Cortier
Towel in Water, Photo Romi Cortier

 

Orange Striped Towel, Photo Romi Cortier
Orange Striped Towel, Photo Romi Cortier

 

Pool Float in Pool, Photo Romi Cortier
Pool Float in Pool, Photo Romi Cortier

 

Pink Ball in Water, Photo Romi Cortier
Pink Ball in Water, Photo Romi Cortier

Pool time in Palm Springs is my favorite time of year. If you’ve ever spent a summer in Palm Springs, then you know how hot it gets. I have a home there and nothing feels better then jumping in the pool when the temperature hits 115. Splash. Submerge. That big ahhh as my body temperature drops. Every thought squeezed from my mind. Relaxation at its finest.

I’ll never forget the moment I was floating in the water, looked at the towel hanging over the edge of the pool and thought, hey there’s a painting there.  I got out, snatched my camera, waded back in, and spent the next few hours photographing the towel, the ball, the pool toys, the shadows from the palm trees.  I was lost in the artists zone of making art.  Each weekend it became my obsession as  my collection of photos grew. I came to view my simple back yard as a total work of art. The stainless steel fence, the agave plants, the palm trees, the colored river rock, they all held a story that needed to be told. Was is it sun stroke, or was there really that much beauty in the simplest of details.

The Palm Spring nights take on an equal amount of beauty from the pool. Looking up at the stars and the moon, feeling the warm breeze, enjoying the nothingness of it all, yet feeling so content. Wondering how many eyes have looked at those same stars over the years, seeing what I’m seeing. It’s no surprise so many of us dash to the desert for the weekends. To decompress. To reconnect. To feel the pulse of nature and find our own pulse again. This is the less celebrated side of life in the desert, but for me, it’s what keeps me coming back.

Architecture

The Heart of John Lautner’s Harvey Residence

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Harvey Residence, Main Entry, Photo Romi Cortier
Harvey Residence, Main Entry, Photo Romi Cortier
Harvey Residence, Foyer, Photo Romi Cortier
Harvey Residence, Foyer, Photo Romi Cortier
Harvey House, Circular Main Room, Photo Romi Cortier
Harvey House, Circular Main Room, Photo Romi Cortier
Harvey Residence, Living Room, Photo Romi Cortier
Harvey Residence, Living Room, Photo Romi Cortier
Harvey House, Mid-Century Lighting, Photo Romi Cortier
Harvey House, Mid-Century Lighting, Photo Romi Cortier

The remarkable Central column above might be the Heart of John Lautner‘s Harvey Residence ,  or it might also be Actress Kelly Lynch and Mitch Glazer who are committed to mid-century preservation.  In 2008 they opened their home to the public via the MAK Center and the Hammer Museum in conjunction with the Lautner retrospective ‘Between Earth and Heaven’.

Marked as a tear-down,  the couple bought the home in 1998 and set to work restoring the 1950 residence.  No two Lautner homes are alike, even if this concentric design reminds you of his iconic Chemosphere home.  While Lautner had a strong preoccupation with geometric forms, such as the circle and triangle, his homes are ultimately rooted in the concept of integrating the home into its location, creating an organic flow between the indoor and outdoor spaces.  If the words ‘Organic Architecture’  ring any bells, you might be thinking Frank Lloyd Wright whom Lautner apprenticed under at Taliesin .

The fact that all of this might be lost because the home sits on a remarkable piece of property with a 180 degree view, or more, is unthinkable. Imagine sitting in the grand central room while listening to chamber music as the lights of the city twinkle behind the performers… it’s pure magic. As luck would have it, several years ago one of my clients gave me her tickets for The Da Camera Society, who specialize in Chamber Music In Historic Sites.  Therefore, I’ve been in this home twice, and Kelly and Mitch as usual are remarkable hosts.  They wouldn’t know me if I walked in through their doors again, but that’s not the point. The point, is that they’ve restored this remarkable home and kept the doors open, even to the public.

 

 

 

Architecture

A Fundraiser at the Kaufman House

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Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Upper Level, Photo Romi Cortier
Kaufman House, Courtyard, Photo Romi Cortier
Kaufman House, Courtyard, Photo Romi Cortier
Filmmaker Eric Bricker at the Kaufman House
Filmmaker Eric Bricker at the Kaufman House

In 2008 or 09,  there was a major Fundraiser at the Kaufman House in Palm Springs, to help raise funds for Eric Bricker’s  documentary film Visual Acoustics.  Apparently I was the last person in town to hear about it until about 24 hours before the event… and of course it was sold out. But that didn’t stop me.  A friend and I kept calling and hounding the people in charge, begging for a $100 ticket. Gaining access to the Kaufman House was extremely rare, and I knew this would be my one shot, and so worth the price of admission.

I left LA after work on saturday making the mad dash to the desert for the evening event, with dress clothes in tow. I got word en route that yes, they’d let us in. However, there were a few stipulations. No photographs in the home, nor from the end of the pool facing the mountains. That vantage point was sacred as Julius Shulman had shot his iconic image of the home from there in 1947. But that didn’t stop me from setting my little camera on the cocktail table and snapping a couple shots when no one was looking, thus the image at the top of the page.

I spent most of the evening on the upper level where I shot the images above. It was a tranquil summer night with a beautiful moon and no wind. It was the epitome of what desert modernism was about, indoor and outdoor spaces that effortlessly flow into one another. The home was built by Richard Neutra in 1946, and has remained a classic. In fact, it’s considered one of the most important houses of the 20th Century, along with Fallingwater, Robie House, Gropius House and the Gamble House.

Mr. Julius Shulman was in attendance, and despite being wheelchair bound, was having the time of his life. He was holding court in the new Marmol Radzner Pool House (built to enjoy the view his photo had made so famous) surrounded by beautiful women.  Eric Bricker’s documentary was putting the man behind the camera front and center, celebrating his life’s work… he was indeed a rockstar.

 

Architecture, Art

Meeting Julius Shulman

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The Shulman Home Virtual Tour when listed for sale in 2009

I was schedule to meet the Iconic Architectural Photographer Julius Shulman for lunch at Pinot’s on Sunset, April 4th of 2004.  The lunch had been arranged by a client of mine who’d known him for years. Once the date was set, I cleared my schedule and arrived early for our  1:00 meeting.  At 1:15 my client came dashing in the door and said ‘Julius can’t make it, his friend Pierre just died and he’s fielding phone calls, would you mind getting lunch to go and meeting us at the house?‘ Absolutely. I arrived 30 minutes later at his Hollywood Hills home with our lunch in tow. From the moment I crossed the threshold into his home, I was speechless. There in front of me was every iconic image of his that I’d ever studied in my art history classes at UCLA, and then some. I had to fight back the tears, because at that moment I knew I was in the presence of genius. No Hollywood celebrity could hold a candle to this man standing in front of me, a man who’d shaped how I’d seen the world of architecture, long before I even knew who he was. But in that moment, his life’s work touched me in a very profound way that I’ll never forget.

As we were setting our lunch entrees on the dining room table, Julius began telling his stories.  Stories about how his peers looked to nature to create the homes of their era… cutting an avocado in half and being inspired by it’s color. He gushed about how the architect Soriano had built his home for him nearly 50 years ago and that he’d watched the trees grow up around the home.  The phone rang and interrupted him… it was another publication calling and wanting to use his image of the Case Study Home #22 for free. ‘Absolutely not, I don’t work for free’ he replied.  His friend Pierre Koenig had built it… the man who’d just died. It was all making sense now. He was the architect of the Stahl House, one of LA’s most iconic home’s for 50 years, the home that Julius made famous as  2 elegant women sat perched in the glass box that appeared to float over the city at night when he snapped their photo in 1960.

After lunch Julius gladly autographed one of his books for me, which is what he’s doing in the  studio shot above.  It’s a bit jarring to watch the virtual tour and see his studio stripped bare, and the walls of his home without his iconic photos, but they’re all in safe keeping at the Getty Archives. Ultimately I ended up buying that iconic photo from Julius and returned to his home a second time to pick it up. He rolled it out on his dining room table, inspected the print, and signed it in white ink. It’s still one of my favorite possessions to this day and I’m so grateful that I had the incredible honor of meeting him.

Julius Shulman: October 10, 1910 – July 15, 2009